Wednesday, February 7, 2018

All the Little Moments by G. Benson

All the Little MomentsAll the Little Moments by G. Benson

My rating: 5 of 5 stars


*I received this book from Ylva Publishing for an honest review*

This is one of those difficult books to read. Oddly ‘unputdownable’, yet still angsty. Well, I say that because I do not normally find angst among the things I normally find with books I can’t stop reading.

In my second book by this author that I’ve read, the main and only point of view character, Anna, opens the book in a car on the way to her parents place . . . cutting short a longish vacation with her long-term girlfriend, Hayley. Cut short because her best friend – her brother Jake, and her other friend, his wife Sally, were killed in a car accident. Losing either/both immediately and permanently alters Anna’s life. Then the will is read and her life is altered even more – for the woman who never planned nor wanted children, is now the guardian to her brother’s two children – six year old Ella and 18 month old Toby. Anna is rather reluctant to take on this burden.

By the half way mark I was vaguely confused and worried, there was a bunch of angst and drama up to this point – the book is filled with it – but everything seemed ‘set’ now. Kids, support system that includes Anna, Anna’s mother (father’s still around but hiding), and Anna’s two new friends Kym and Lane (with Lane being more than just a new friend). Then Cathy, Sally’s mother, suddenly turned up. And there were like huge blinking lights foreshadowing the horrors that would be unleashed by this evil horrible women. And, sadly, I was right in my perception.

I’d a loose idea that the book was a medical fiction involving lesbians, one of whom had dark skin, and that the book was by an author I’d recently read and rather enjoyed. Beyond that I hadn’t read too closely about the book to know what I was getting myself into when I opened it up and dove in.

There’s the trauma of death, relocation, relationships collapsing, forming, new responsibilities, and all that to navigate. Since there’s just the one point of view, everyone but her is something of a side character . . . or something like that. Which I mention more because I wanted to express my admiration for how deeply and well-constructed the many different characters were in this book. From the main – Anna, to Lane (girlfriend), to Kym (new friend), to Sandra (Anna and jake’s mother), to even Toby & Ella (Jake & Sally’s kids). None of these characters, at least, were stand-ins, paper thin. They all had stories and structure to them. In the beginning there was even enough there to build up an idea of both Jake and Sally, who were never, at any point in this novel, alive to present themselves to the reader.

Others, it is true, were more ‘as needed’ type characters, but there were enough well-formed characters to fill up a book. As needed as in – Andrew, Jake and Anna’s father, had something of his character presented through the almost constant refrain of how Anna and/or others were like or not like him in certain ways (like how he dove into his study and into a bottle of whiskey after his son died – hiding his emotions), though he was more someone to work around than someone to rely upon – which was the point – in its way.

Long and short of it is that this was a rather good and interesting book. Somewhat hard to read from the lingering after effects of death (both Jake & Sally, and, in addition, Kym’s husband as well).

It was interesting to watch Anna morph from the woman who opened the book – the woman who was super career focused and dead set against children to the woman she became by the end of the book.

Well, I’ve run out of things to say, at least out of things I can squeeze out and sprinkle over the screen to reflect my thoughts. Ah, I know – I’ve reached the point where I’m talking nonsense, yeah, that’s it, so I’ll depart.

Rating: 5.25

February 7 2018




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Tuesday, February 6, 2018

Just for Show by Jae

Just for ShowJust for Show by Jae

My rating: 4.89 of 5 stars


*I received this book from Ylva Publishing for an honest review*

An exciting event occurred last night – I glanced at my Kindle and saw a new Jae book sitting there (this isn’t magic or unexpected, I had requested the book). And, as luck would time it, I’d just finished a different story right before I noticed. Naturally, though, I couldn’t begin right then and there, for reasons, except I did and found it hard to pull myself away, as I really did need to go off and do something else at the time. Course I was unnecessarily teasing myself, since that ‘something’ was walk to a train station and commute, so my departure from the book was brief. I then proceeded to gobble 81% in almost one go (if you count 7 hours as one go; one go, is that actually a phrase or am I just randomly putting words together again?). But then needed to sleep. As previously noted, though, hard to stop reading.

Simple enough reason why it was difficult to pull the book from my hands – I really like both main characters - Claire Renshaw, psychologist, and Lana Henderson, struggling actress & barista. Both of whom are allowed their own point of views to be seen. Oh, and when I say I liked both main characters, I mean separately as their own people, and together. Though the two first meet under odd circumstances – at an audition. Lana was there thinking she was there for a film audition (though thought it odd she was the only one in the waiting area); Claire was there because her agent (literary) talked her into it. It wasn’t a film audition, though, but an audition to be Claire’s fake fiancée. But then, I’m off chronologically, as the reader already knows why Claire might need a fake fiancée. Since the book opens with the real one taking off.

Strangely enough, despite going out of their way (agent and Claire) to find a fake girlfriend for Claire, they came up with someone completely different than her norm. This is where I was going to slide in things like ‘not super thin’; ‘not a lawyer or the like’; and the like, but I got distracted and when I came back I lost the thread. Long and short – there’s a certain cultural clash on obvious display in this book, and part of that, and part of why Lana is a struggling actress instead of a leading actress, is the part in which Lana isn’t ‘standard’ actress thin, instead being curvy and comfortable in her larger than normal body. Bah, I keep getting distracted with scenes from the book flashing in my brain, messing up my ability to write.

I move to how I almost started this little write up – the game of connecting the dots. Or, more accurately, connecting books to this one. Through side characters. But let’s see if I can do that without just bluntly stating book titles.

I’ve mentioned the main characters, very briefly (read, learn for yourself, they good people), so something about the side characters now, as noted in that mini-paragraph above. The previously encountered via other stories side characters are almost entirely meet through Lana Henderson’s side of things. I’m fumbling around in my brain, thinking hard, but I can’t think of anyone on Lana’s side who isn’t a previously meet character (other than her mother, but never meet), and finally remember her step-sister, Avery. Interesting, thinking to myself, there’s one character on Lana’s side not previously meet; and one character one Clarie’s side previously meet. Right, so – Lana’s mother, despite never actually appearing in the book, plays a somewhat important role in the book, as an example of someone addicted to self-help books, and as someone who pulled psychologists into Lana’s orbit (and made her wish to avoid them as much as possible – see, more conflict, since that’s Claire’s life). Avery is actually seen, somewhat barely (well more than barely but near that), as Lana’s boss at the coffee shop Lana works at (though they act more like sisters there than employee/employer). And then there are all those previously meet characters – not previously meet in this book, but in previously works.

Lana learned about the audition through her friend Jill, who in turn was informed of it by, I think, her friend Mercedes Soto. Jill and her girlfriend, Crash, pop up several times in the book. When some pictures are needed to be taken, Lana turns to her friend Michele to take them, being as she’s a professional photographer. And Lana both eats at another friend’s family restaurant, then later in a different meal, eats with that friend, Laleh, and her girlfriend Hope. I might be forgetting someone but I think I got every character who has previously appeared, at least those meet through Lana. Jill and Crash are from Just Physical (and other books, but that’s the one they star in); Laleh and Hope are from Heart Trouble; and Michele is the Hollywood series character who normally doesn’t get to do more than occasionally be mentioned or spotted, and is from Departure from the Script (Amanda, from that same book, is, as far as I recall, not seen or mentioned). (Somewhat strangely, Claire makes a joke in the book about maybe needing an actress for a job, then jokingly says Grace’s name, despite Grace never being mentioned to Claire (Grace is mentioned as someone invited to a party that Lana can’t go to, told to Lana without Claire present (Grace’s Lauren was also mentioned in that same conversation (Grace and Lauren from Damage Control), as were Jordan and Emma from Falling Hard)).

On Claire’s side of things, several side characters also wander throughout the book. That would include that literary agent, already mentioned (Mercedes Soto), both of Claire’s parents are meet several times, as is her sister Stephanie. And ex-girlfriend Abby. And the various people from Claire’s work like Renata and Vanessa. Oh, and that character previously meet? Barely in the book, is mentioned and is meet – the radio psychologist Dr. Christine Graham from Midnight Couch who interviews Claire. Though, as far as I could tell, there is no previous connection between Claire and Christine.

Well, I just spent way too much time playing connect the books. Pfft. Long and short – loved the scenery, images, characters, and story I encountered in this book. I had two specific problems with the book, but I worked past them. How to word it, hmms. First problem consists of a sequence of scenes that seemed forced and weirdly out of character – not that the action itself was, just how everything was being presented, as if the characters needed to go from here to there, so . . . they did. Wow this is vague. Less vague for those who have read the book – it’s the scene that involves Claire and Lana going to the top of the hotel to drink – which weirdly seemed forced. The second problem I had involved how the book ended in longish sex. I watched as the percentages increased, as the book got closer and closer to 100% and continued reading what I didn’t particularly want to read right then and there though knew there were those who would, feeling vaguely cheated, for reasons, then, finally, action moved to a few tiny moments out of the bedroom before concluding. Funny thing to have a problem, of course, but, meh, was something I personally had a problem with since I wanted to spend more time with the two in the real part of their relationship.

Rating: 4.89

February 6 2018



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Monday, February 5, 2018

Into the Fire by Elizabeth Moon

Into the Fire (Vatta's Peace, #2)Into the Fire by Elizabeth Moon

My rating: 3.68 of 5 stars


Book received from both Netgalley and Random House/Del Rey for an honest review

Two things to be noted immediately: 1) this is the second book in the Vatta Peace series, which follows the Vatta War series (with about a 5 year chronological gap between the last book in War, and first in Peace) – and yes, at the very least, book one in the Peace series needs to be read before reading this book here, and, preferably the War series; 2) only the action that started to build up near mid-point, well, more around 70% plus, kept this book from receiving a lower rating than it did.

Another thing to be noted slightly less immediately: people’s personalities change over time, that’s reasonable and expected, and several characters in this specific book showed personality changes from the prior series. One, though, seemed to have changed more than time would allow. To explain what I mean would be too spoiler-y; I’ll attempt to give a hint without spoiling stuff – there’s a scene during which Stella Vetta very reluctantly puts on body armor, she’s quite prissy about it and thinks it’s stupid to do so, then is all panic-y and oddly confused about guns (momentarily) – the problem? You know the first time Stella was meet? It probably wasn’t then, but the first time Stella and Rafe shared a scene together in this multiple series thing had Stella wearing body armor and being quite masterful with a gun and showing a weird lack of panic in a dangerous situation ((view spoiler)).

Right, so, after all these ‘immediately’s are out of the way, what can I say about the book? *thinks*

I do not wish to give a recap of the book or anything like that, especially as this book is the second book in one series, and the . . . 8th, I think, in the extended Vatta series (combining War and Peace). So I won’t.

There are books that start strong, edge of the seat type stuff, kind of fumble around in the middle, then either have a great ending or stumble trying to find an ending. This book? Started slowly, and was somewhat tough to get into. Middle was frustrating legal and political stuff; while the end (well before the end, the end of the middle) turned up the action (which literally just means that Ky finally left the house she was in, that kind of action), and built up to an exciting near climax. Then we, the readers, had to get to Rafe and Ky stuff to close off the book. So I guess the book ended somewhat annoyingly there as well (okay, I never liked the Rafe & Ky stuff at any point in this multiple series situation and so that probably helps increase my negative feelings about this book here).

So long and short: once I got past a certain odd reluctance to dive into this book brought on by how the prior book ended (there was a glimpse of how the series might turn from there, an exploration, adventure type of glimpse, which was immediately shut down by weird legal and political stuff – picked up by the beginning of this book here), the book turned out decent, then got quite interesting and even, pardon the phrase, ‘not-put-down-able’.

Rating: 3.68

February 5 2018




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Friday, February 2, 2018

Fury's Death by Brey Willows

Fury's Death (Afterlife Inc., #3)Fury's Death by Brey Willows

My rating: 4.26 of 5 stars


Book received from both Netgalley and Bold Strokes Books for an honest review

This is the third book in this Afterlife series. I shall immediately note: yes, you should read books 1 and 2 before reading this book here. All three books tell the story that unfolded after a scholar is confronted with the truth about Gods, Goddesses, and the like. All three books feature one of three ‘Fury’ sisters. First book starred Avenging fury Alectho (Alec) Graves and Selene Perkton (that scholar); book 2 starred Alec’s sister Tisera Graves (and Kera Espinosa). And book three? Why, that stars that third fury sister, Megara Graves.

It’s interesting the things that you spot when you do a tiny bit of research. Like, this series is about the three fury sisters. Does that align with the mythology? Are Furies three sisters?

Greek Mythology
a spirit of punishment, often represented as one of three goddesses who executed the curses pronounced upon criminals, tortured the guilty with stings of conscience, and inflicted famines and pestilences. The Furies were identified at an early date with the Eumenides.


Well. That answered that question. ‘one of three goddesses’ (though this series keeps noting that the furies are different and not gods or goddesses but something else. Course, before I spotted that ‘three goddesses’ thing, I spotted the synonyms: ‘virago (domineering, violent, or bad-tempered woman), hellcat (spiteful violent woman), termagant (harsh tempered or overbearing woman), spitfire, vixen, shrew, harridan, dragon, gorgon; Eumenides’. Dragon, eh?


Well, that’s fun, let’s move on.


As noted, well two things to bring things back into focus: read the prior books before reading this book; this book stars two characters previously seen in this series - Megara Graves (the fun loving one who would prefer fucking to . . . um, no, she also likes fighting, prefers fucking to reading a book – throws a lot of parties that break down into orgies), and Dani Morana, aka death.


The actions, events, results of the prior book continue to unfold here (as in, the Gods continue to attempt to ‘walk among humans’ while the Afterlife company (which most Gods/Goddesses are members of) attempts to deal with ‘complications’ like Humanity First (anti-gods/goddesses), and people randomly ending up slaughtered. This paragraph was specifically going to be about how Dis, that Chaos goddess, was running around doing discordant stuff, but paragraph got away from me.


Like her sisters, Megara is having something like a crisis enveloping her, unlike her sisters, it isn’t about her work as a Fury, but her . . . stuff she does when not a fury. The constant partying and stuff. Mixed in is the part where she a) doesn’t want a committed relationship; b) wants Dani but doesn’t think Dani would go for a non-committed type fling.


Dani, meanwhile, is dealing with weird changes she’s noticing like with certain souls, and her own weird tinge of something or other I can’t be more elaborate about without spoiling. Also – she’s lusted after (loved?) Megara for centuries but isn’t the kind of person to make her thoughts known. Or something like that. Well, no, there are instances when I spotted an ‘issue’ a mile off that would be based on miscommunication but . . . didn’t happen because people communicated with each other.

Right, I probably have a temperature of around 105 degrees, or something like that, so my brain is boiling. Hopefully whatever I’ve written here is coherent enough to be read.


Did I like the story? Yes. Did I like the characters? Yes. Was I blown away by the graphic depictions of sex? No.

One last thought that I had while playing with my shelves/tags for the book: While Meg has been with women, she's not a lesbian, but more of a . . . well no word was used. I imagine something like 'Pansexual' would apply. It is not clear if Dani is a lesbian or not, though her one mentioned relationship, prior to Meg, was with a woman.

Rating: 4.26

February 1 2018




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Thursday, February 1, 2018

The Governess Affair by Courtney Milan

The Governess Affair (Brothers Sinister, #0.5)The Governess Affair by Courtney Milan

My rating: 3 of 5 stars


It is quite possible that my rating for this book was impacted by the fact that I read it while entirely ill. Gah, I mean, I read the entirety of the book while ill. Still ill.

Characters seen in the first book I read by this author turn up again in this short story here - as the leads. Specifically referring to Oliver's mother and Hugo Marshall.

While sleeping in her chambers, Serena Barton is attacked and raped. By a Duke. The duke told her not to scream or it would wake the household. Since she didn't fight back, Serena thinks that it wasn't force and/or rape.

That event, the rape, occurred before the start of this story. This story starts with that same Duke talking with his man of business, Hugo Marshall, about how there's this woman who he offered a position but said position doesn't really exist. So - can Hugo get rid of her? Hugo's suspicious, but that's his job, take care of problems (actually his job consists of attempting to improve the financial position of the Duke).

That young woman? Is visible below them through a window. She's sitting and letting people see her. To shame the Duke.

Hugo and Serena circle each other, and, stuff.

Rating: 3.45

February 1 2018



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