Playing the Player
by Lea Santos
Pages: 208
Date: October 1 2010
Publisher: Bold Strokes Books
Series: Amigas y Amor (4th in series)

Review
Rating: 5.0 out of 5.0
Read: June 21 2016

Well, the sad day has finally occurred. I have read the fourth and last book in the Amigas y Amor series, which just happens to correspond to the last book published by Lea Santos. There is a fifth book listed on GoodReads, a start of a new series, but that book has a note indicating that it was pulled from the publication schedule. So I’ve now read everything released to the public by Santos under the Lea Santos name.

I had wondered who might pop up in the fourth book as the main character, since the ‘friends’ part of Amigas y Amor consisted of the three people who have been friends since high school. Emie Jaramillo (star of Little White Lie - and she is matched up with Gia Mendez; in addition to being a latina, Emie also adds to the diversity of lesbian fiction by being someone who isn’t exactly the standard beauty, but instead someone who cares more about brains, her own, than beauty), Iris Lujan (star of Under her Skin - supermodel, matched up with Torien Pacias, Torien adds to the diversity column by being from Mexico (the friends grew up in Denver), and last of the three friends – Paloma Vargas (Picture Imperfect, Paloma is matched up with Deanne Vargas, both of whom went to the same high school; for one reason or another, I got the impression that Deanne was not one of the ‘three musketeers’ (I believe that phrase was used at some point). So, if the three (or four if Deanne is actually supposed to be considered one of the friends) friends have had their stories told, who would pop up to star in the fourth book? Someone who has popped up in the books before, Madeira Pacias, the sister of Torien Pacias.

Based on context, on what is mentioned over the course of the books, the first three books all happen, chronologically, one after the other in a short span of time. The fourth book, for whatever reason, opens three years after Iris and Torien meet and opened their charity together (and became a committed couple). A reader does not immediately know this factoid, though, since the book does not open with Madeira, but with Grace Obregon.

The book opens with Grace driving down a highway after a parent teacher night. She’s annoyed/upset/frustrated with the fact that her past, which she has been trying to outgrow, has intruded into her new life. She was a wild party girl once upon a time, the kind who impulsively gets two tattoos just because the tattoo artist was doing a 2 for 1 deal. But Grace is no longer that woman. She still has the ‘scars’, though, and occasionally they appear. Like when ‘little Stevie’ pulled on her sweater. Revealing the tattoo on her chest, the one that is a yellow caution sign that has the words ‘easy vixen’ written on it. Recall, if you will, that this was a parent teacher conference – and yes, Stevie’s parents did in fact see that tattoo. Their expressions immediately changed upon seeing such a tattoo. The other tattoo says ‘unbreakable’, but is in a spot a child cannot accidentally reveal, being on her inner thigh. Grace is, naturally, horrified that her new life as a teacher is already ruined. As she drives down the highway. At least she has Mrs. Wright next to her – Mrs. Wright being a beat up bear that Grace’s mother had given her.

Then, a truck begins to skid/crash/become an obstacle upon the highway. Grace clips the rear of the truck and her own SUV goes flipping through the air, to land on the roof. Grace is left dangling upside down. Mrs. Wright has flown free from her belted position (yes, Grace had pulled a seatbelt around Mrs. Wright, little good that it did) and flown through a window.

Point of view change. Madeira Pacias is driving down the highway. Thinking about her night. About going to a new lesbian bar, cruising, picking up women, humping them. As her thoughts fill with such ideas, Madeira spots a semi-truck skidding, watches as a vehicle clips said truck then goes spinning. Madeira barely misses hitting a horrified chicken before braking in the emergency lane. Braces for someone to slam into her rear, but luckily the person behind her is able to stop. Barely. Madeira gets out and wonders how to help. More chickens run past screaming – apparently the semi was transporting chickens. Others have gotten out of their vehicles as well. An old man reacts first and begins checking vehicles. Finds that someone is still alive in the SUV and calls upon Madeira for help, as she is small enough to squeeze inside.

Madeira wiggles into the car, looks around, spots a blood covered woman dangling from above her in the upside down SUV. Her leg doesn’t look good. There’s lots of blood. She’s not even sure if that woman is actually alive. Just then the woman makes noises, blinks at Madeira, before exclaiming ‘You are not Mrs. Wright.’ Madeira stays with Grace until help comes. Making a promise to find ‘Mrs. Wright’, and to contact Grace’s grandmother. Madeira is not the kind of woman that gives another woman promises, but she is unable to stop herself, this time.

All of the above takes place in the first one or two chapters. The next chapter begins a year later (so now it is four years since the previous book in the Amigas y Amor series). Grace is yelling at Lolo, her sister. For her sister has given the newspaper a story. The story of Grace and her lost soul mate good Samaritan. The one who ‘saved her’ in the accident. A story about how Grace wants to find said Samaritan. It’s the year anniversary of the accident. Grace has just restarted her new teaching job. She does not need this distraction. Especially as the article makes her look like a loon, someone looking for their soul mate. The paper calls. Grace answers. Before she can explain that she isn’t the one to have given them the story, that it was her sister pretending to be her, the man on the phone indicates that they are being swamped with calls in response to the article. And they need some way to filter them. Grace gives them a way.

Days pass. People come forward. But not the good Samaritan.

Madeira is cleaning an ambulance after their most recent pick up. Her partner, Simon, is reading the paper. Simon begins asking Madeira questions. Madeira had let slip why she had decided to become a paramedic, that it involved stopping at an accident one night. Simon draws Madeira’s attention to the article in the paper. About this ‘Grace’ person who is looking for their soul mate. Madeira is stunned. That is Grace in the picture. But, Madeira was told, when she tried to follow through on her promises and return the bear that Grace had died (there were two in the accident named Grace, one had, in fact, died).

Madeira is reluctant to contact the paper. But. She had made a promise to find and return Mrs. Wright. And, even though she thought Grace was dead, Mrs. Wright had been sitting on her dresser starring at her for a year. It is time to return the bear.

Madeira and Grace then spend the rest of the book circling each other. Madeira, initially, is reluctant to meet this overly romantic Grace (what with ‘soul mate’ and stuff), and just wants to let her know that she’s not a commitment type person; but later certain feelings develop; but Grace, immediately upon meeting Madeira, stresses that it was her sister who worded things like ‘soul mate’, and that she has no desire for Madeira. Or, ‘someone like you’. Grace had acquired an impression of what 'someone like Madeira' was like because the paper ran a story after Madeira had contacted them. A story that painted Madeira as being a major player.

Of the four Santos books I’ve read, I do believe that I liked this one best of all. I’m not really sure why. A player (Madeira) and an ex-player (Grace) circling each other for a book does not exactly sound like it would necessarily be something I would be interested in. But I rather enjoyed/loved the book.

Well, that’s that. My time with Santos draws to a close. Crush, the first in the Viñedo Valley series, looks quite interesting, but it was cancelled. These have been a rather good bunch of highly polished, well written books, but alas, I’ve read them now. And there are no more to read.

June 22 2016

Picture Imperfect by Lea Santos

Picture Imperfect
by Lea Santos
Pages: 208
Date: September 1 2010
Publisher: Bold Strokes Books
Series: Amigas y Amor (3rd in series)

Review
Rating: 5.0 out of 5.0
Read: June 21 2016

My third book by this author. This is the third of the four Lea Santos books. I gave the first two I read ratings of 5 stars each. The third book is the one that I had noticed, even before trying the first Santos book, that everyone loved most of all.

Paloma Perea Vargas and Deanne Vargas have been together seventeen years, since high school, specifically some time in sophomore year (baring a brief father induced separation during sophomore-junior summer break). They have been ‘married’ for fourteen years now. But Paloma has just had enough with feeling like Deanne doesn’t even see her any longer, and has kicked Deanne out of the house they share together with their two children (one is 8, other is 6 – the children, not Paloma and Deanne, that would be weird).

Their relationship problems stem directly from their own childhood experiences, and from the fact that they have never had a romantic relationship beyond the one they share with each other, so they do not have any personal experience with relationships beyond whatever they’ve picked up together.

By ‘directly from their own childhood experiences’ I mean: Deanne developed two traits that she picked up in reaction from growing up. Victor, Deanne’s father (who she always refers to as Victor), left Deanne’s mother at some point when Deanne was still a child. He was lazy and lived to party. Victor, by leaving, abandoned both a wife, and five children. The mother, Rosario, had to pick up three jobs just to make ends meet. In reaction to this issue, Deanne has developed the need to not be her father. To not be lazy, to not run out/party/etc. So she shows her love by working, by providing, by self-sacrificing her free time. So, sometimes, certain ‘events’ get forgotten or missed, because of ‘work’. Deanne sees this as providing for her family the way she knows how. Paloma sees this as putting work first as priority, and basically abandoning her family – though she never actually says anything, but we’ll get to Paloma shortly.

To add to that need to work in reaction to her lazy father, Deanne also picked up something from her mother. Though based on her interactions with her mother, not based on her mother’s own experiences. At times Deanne did certain things that caused her mother to become angry with her. Deanne reacted by hiding from the problem. Her mother would, eventually, return to her normal happy personality. Deanne learned, from repeated cycles of this hiding, that the way to deal with issues is to hide from them. They will fix themselves. So, when Deanne feels/knows/senses that Paloma is upset, and angry with her, she reverts to her childhood – she hides. Paloma, though, just seems to get angrier and not revert to a happy state. Deanne does not know how to react to this situation. Like the part about not having sex for the last six months – Deanne wants to hump Paloma, but Paloma is giving off massive ‘keep away’ vibes. So, Deanne keeps away.

This reinforces the problems, adding to them. In Paloma’s own mind, Deanne’s lack of attention, lack of pouncing on her indicates that Deanne doesn’t want her any longer. Is physically repulsed by her or something. Plus she senses that Deanne has had some odd change that occurred 8 years ago – right around the time their first child was born. But Paloma also picked up something from her childhood. Directly from her mother. The need to self-sacrifice, to support, to be a housewife. To not complain. So Paloma shows her ‘problems’ with the current situation by withdrawing, though with a smile, to keeping her emotions bottled up, to never, once, using her mouth to actually convey that there is an issue.

Discussing the break-up, after Paloma kicked Deanne out of the house, one of Paloma’s friends made some comment or another. Probably along the lines of ‘well, did you ever tell her what the issue(s) were?’ to which Paloma responded with something like ‘but I shouldn’t have to if she really loved me!’ I’ve seen that attitude in MF books. This might be the first time I’ve seen that in an FF book.

Well, as noted, 14 – 17 year relationship. Poof. Gone. Because neither party knew how to communicate and things got steadily worse. Until one finally broke down and kicked the other out of the house. Instead of, you know, ever actually mentioning that there were issues. Or talking. Hell, they never even fought. Just, boom.

Paloma: ‘We haven’t had sex in six months! She hasn’t made a move on me!’
A friend: ‘Did you?’
Paloma: ‘I shouldn’t have to!’
A friend: ‘How did ‘action’ initiate in the past?’
Paloma: ‘Well, I’d make a move first.’
*stares*

Right. So. The friends saw Paloma and Deanne’s relationship as perfect. From the outside. But it wasn’t, not from the inside. Hence the book title – ‘Picture Imperfect’. Though I mentioned the friends more so that I could indicate that the other couples from books 1 and 2 of this series pop up in this book. And the one who turns up in the fourth book, Madeira Pacias, Torien Pacias sister, is mentioned in this book (in an ‘I haven’t had sex in six months, I need sex, I should hump Madeira, and she humps everyone.’ ‘Don’t talk about my future sister that way; even if I admit that she is a player’).

Ah, this book. I felt a certain wave of anger at both parties while reading this book. That is not how I wish to spend my time reading, in a state of anger. Of the four Santos books, though, this one is the one everyone apparently loved the most.

Oh, and for those who care about such things – the series moved from super fit and chiseled gardener hooking up with a supermodel to a woman who self-describes herself as being chubby (‘I had two children!’). Though she might have lost that chubbiness along the way. There was some indication of that.

And, another tidbit of information I do not know where to put: “I’m thirty-two years old, for God’s sake.” (As said by Paloma, so, she is 32).

Right, so, good book. *nods* On to next.

June 21 2016

Eye of the Beholder by Kim Pritekel

Eye of the Beholder
by Kim Pritekel
Pages/Words: 23,800 words
Date: 2008
Publisher: Self/Fanfiction (Xena)
Series: None

Review
Rating: 5.0 out of 5.0
Read: June 18 2016

My first story by this author. Not my first time reading a short story off of the internet, not by a long shot (Tor.com has some lovely short stories on it, for one), though the first time I've attempted to read a story from 'Academy of Bards'. Where I found this story (actually, I found this story on xenafiction.net - it was 93rd perennial favorite in 2012).

Characters: Juliet Ross (model (ex?), businesswoman; super-bitch; 'the brunette', 'blue eyes', 35), Megan Oliver (Denver Post reporter, blind; 'the blonde', 'green eyes', 28 (if 'I've now been blind for exactly half my life' is to be taken literally))
Location: Denver, Manhattan
Time of Year: October to ~February
Weather: 'absolutely frigid' in October

The story involves Juliet Ross, bitchy ex? model, and Megan Oliver blind journalist.

Note 1: I immediately notice a difference between the description of the story and the actual story. As in, Juliet keeps being referred to as a former model in the various descriptions for this story. Yet the story opens with Juliet in a modeling session being photographed. I confused (doesn't help that there's this model session to open the story, then mention of 'Juliet the ex-model'; was she not being photographed in the beginning of the story? I might be confused. Somehow). Though the bitchy part is correct. She's a massive bitch (referring to the level of bitchness, though she is 'six feet in her stiletto heels').

And, for those who care about said things, Juliet has 'gorgeous blue eyes.' And she, Juliet, is apparently so gorgeous that her super angry/bitchy persona is not a deterance to continued work. The story bluntly makes note of this particular issue.

(Hmms. I just destroyed one or more paragraphs, not really sure what I had there. mmphs. Stupid computer). To try to recreate what I wrote, I believe I said something about how Megan, like the description of her, is in fact blind. So that, blindness of Megan, and bitchiness of Juliet are correct. Former model may or may not be correct (though there's a comment about how she was the tops for 10 years and is now something of a business woman; does not remove the fact that the story opened with her in a modeling session).

Then I had something about blonde hair. Like how bloody many times Megan's blonde hair is mentioned. Her own bloody brother refers to her, in his mind, as 'the blonde'. Seriously? Her brother thinks of her as 'the blonde?' For fuck sake. Then there was something in the deleted paragraphs about how sometimes the mention of the blonde part 'worked' with the story, other times not. Her blondeness probably gets referenced, oh, 800,000,000 times in this story (not really; though 'the blonde' sure is used a lot; for the record - Megan = 'the blonde', Juliet = 'blue eyes'). Oh, and Megan has green eyes. 'Damn shame they don't work' as the asshole boss of Megan's thinks to himself.

Interesting, I suppose, Megan's boss, Bill Carter, also has something of a point of view (actually, almost every character encountered has their own point of view inject themselves into the story). So that he can note that he hates people in general, but of all the reporters who have worked for him, Megan is his favorite. The interesting part being that Bill Carter (what, his full name gets repeated a few times) has his own point of view.

So, the story: Megan's boss wants Megan to do a story about Juliet Ross. And he doesn't want 'jack-off material', so he is sending his blind reporter. To get a different perspective, one angled more towards this (ex)model's brain. So, Megan does said story.

'Gathering his professionalism, he nodded and bade the Juliet a good night.' heh. 'the Juliet'. I bet there was a hair color there that got replaced with a name. But 'the' didn't get deleted. That or Juliet is now 'the Juliet'. heh.

Overal: Well-written (mostly, there were some missing letters here and there, like want got spelled as wan), enjoyable story. The overuse of 'the blonde' and 'blue eyes' was annoying, but . . . cliche. Sterotypical 'fanfiction', eh? Which is/was a pity, that overuse of those descriptive wording, as it made me take longer to realize just how much I rather enjoyed this story. Because I did. Enjoy it. A lot. Loved it, really.

Oh, and that 'illness-or-injury' is for both of the main characters. What with Juliet suffering from abuse, and Megan suffering from some injury which blinded her.

The story is listed as being 'original/uber'. I do not know what 'uber' means. I do know that this story has two characters who even I, who only ever saw brief flashes of the Xena show in passing, 'match up' with the two main women on Xena. The short blonde woman (Megan/Gabrielle), and the towering black/brunette haired woman (Juliet/Xena).

Quotes:
Megan to Juliet after getting tossed out before the interview could even properly begin:
"The world may think you’re some sort of visual goddess, but I have to tell you, Miss Ross, you’re the ugliest person I’ve ever met."

http://www.academyofbards.org/valentine14/2008/kp_eyeofthebeholder.html

June 19 2016

Under her Skin by Lea Santos

Under her Skin
by Lea Santos
Pages: 264
Date: August 1 2010
Publisher: Bold Strokes Books
Series: Amigas y Amor (2nd in series)

Review
Rating: 4.8 out of 5.0
Read: June 2 2016

This is the second book I’ve read by Lea Santos. I gave that first book I’d read a good solid five stars. This book here, ‘Under Her Skin’, seems to be closer to something between 4.65 to 4.85. Which doesn’t really mean anything. Even if we had half stars, I’d still rate this 5.

This book is about a world famous model by the name of Iris Lujan, and about a gardener named Torien Pacias. Iris is of Mexican descent, though she’s at least third generation USAian (if not more) – given that Iris makes a comment about Torien to one of her friends about Torien being Mexican Mexican like one of their friends parents. Meaning that Iris’s own parents are not first generation Mexican. That was more complicated that it should have been. Heh. I’ll just finish up this thought with the note that Iris, maybe because of this, maybe for some other reason, is not exactly fluent with Spanish, though knows enough to get by.

Iris is 30 to 31 years of age, is a supermodel, grew up in the Denver area, and is super tired of being a model. She’s in between jobs at the start of the book, vacationing at her business manager’s estate (stupid idea right there – doing so gives the manager access to you for spot jobs, which does in fact turn up, while supposedly on vacation). Iris feels trapped by her fate and is unsure what to do with herself. Especially as she has no other talent, nor higher education (having gone directly from high school into the modeling ranks). She’s just tired of being seen as ‘meat’ though. A shallow dimwitted piece of meat to be moved around and posed. One last thought on this particular issue – (1) cliché – the (super)model who wants to be seen as more than just a face/image/body; (2) what is she whining about? So she wants to stop being ‘meat’, so she would prefer to live in the Denver area near her friends and family . . . .well, do so. She’s fabulously wealthy now from her modeling. Bloody retire already. Go off to college if you desire, you have the money. Dabble in art, music, acting, or just spend the rest of your life ‘vacationing’. That ‘ooh, I’m . . . I’m . . . more than just a body! Right? Am I? Am I just this body and nothing more? *cry cry cry*’ is bloody annoying. But, sadly, realistic.

Torien Pacias is from Mexico, legally in the USA, and is around 31 years of age. Her papa died when she was around 17 to 19, right before she was going to head off to college, and she had to redirect herself to taking care of her many sisters (three), and mother. Somewhere along the way she moved to the USA with her next oldest sister (I failed to mention that Torien is the oldest child). For paid work, Torien is a gardener at a rich woman's estate. In her spare time she is . . . a gardener. For a volunteer project dedicated to planting gardens in less affluent neighborhoods (including her own).

One night while gazing out into her business manager’s garden, Iris spots a stunning woman moving around gardening. In, if I recall correctly, just her bra (ETA: and pants, only her shirt is removed). Iris drools. That woman then happens to move enough to catch Iris starring at her. Iris, caught, just goes with it and waves. The woman in the garden flees. That would be Torien. And immediately one of the potential points of conflict/road-blocks-to-happiness is revealed. Torien is super desirous of being responsible and not doing anything wrong – despite the fact that Torien finds Iris starring at her, she doesn’t think of it that way, she thinks of it as she herself having starred at a guest, and that may or may not upset the guest. Who might report her. And get her fired. So, you have that dynamic going on.

Torien, nicknamed Toro for her stubbornness, is drawn to Iris but she cannot allow herself to do anything with this desire. It’s too risky, and she has too much responsibility to provide for her family to risk anything.

Iris pursues Torien, who she nicknames Tori (except when Torien is being extra stubborn, at which point, Iris reverts to calling her Toro).

I rather enjoyed this book. It was a nice slow move from cultures clashing, to acquaintances, to possible friends, to more than friends. As already mentioned I’d give this a rating of roughly 4.8 stars.

I had, maybe, one or two issues with the book. The ‘whoa is me, I’m super hot and rich but do people only see me as meat?’ aspect of Iris’s personality was vaguely annoying, though not a huge issue. The ‘reason’ for Torien’s strong need to be responsible, and her heavy burden of guilt was both realistic and extra stupid.
Warning, don’t read thisTorien's father was called a dreamer. He was the kind of person who jumped from job to job looking to make as much money as possible. He died in a work related accident when his oldest child was around 17 to 19 (that being Torien). This caused Torien's personality to somewhat change. And lead her to take upon her massive guilt and the burden of responsiblity to help support her family. Which completely baffled her family. The part wherein she felt guilt. Torien was no where near the accident.

Well, apparently Torien feels guilt because she's like her father. A dreamer. And the work related accident was caused by her father, who didn't take the time to learn the work safety protocols because he didn't think he would be there that long. And others died in the explosion. People died because her father was a dreamer. That's one layer of the guilt. The second? The part that, even after this, Torien still wanted to use her scholarship and go to college. What a horrible horrible woman, right? No? Well, Torien has massive guilt for having these thoughts, though she didn't act on them. That's her source of her burden. She's a dreamer. And she wanted to go to college.

June 3 2016

Little White Lie by Lea Santos

Little White Lie
by Lea Santos
Pages: 264
Date: July 1 2010
Publisher: Bold Strokes Books (Matinee Romance)
Series: Amigas y Amor (1st in series)

Review
Rating: 5.0 out of 5.0
Read: May 27 2016
I'm quite happy that a random thought that floated through my brain this week did in fact float through my brain. For it lead me to this book here. Granted, I've had the thought before; I just acted on it this time. I'm being awfully vague, no? Not communicating directly? The two main stars in this book had that problem. Figured I'd include something like. But let's move on.

The thought that had floated through my mind was the idea that I wanted to read more books with non-traditional characters in them. This is weird, right, considering I’m talking about books involving lesbians. To someone outside looking in, any random lesbian, regardless of shape, race, religion, socio-economic status, would be non-traditional. Me? Well, lesbians come in all shapes, sizes and . . . um . . . forms. I was kind of hoping for, as a starter at least, one in a fictional book who wasn’t lily white.

Which lead to ‘acted on’. I’d figure I’d try diversify my reading a little more by actually noting what I’ve been reading – genres/themes/occupations/ages/race/still wondering if I should had religion to the mix (though that one’s harder to determine). Did find that I’d read some non-lily white books. So my impression, based somewhat on reading books by authors who are not lily white themselves but who seemed to fixate on lily-white characters (I appear to be fixated, myself, on the phrase ‘lily white’), was inaccurate. But still. I wanted more.

Which lead me to books by Lea Santos. And every character name in the book descriptions, seemed to indicate, at the very least, non-lily white characters. Also lead me to notice she had five books listed (not including the omnibus collection of all four in her friends and lovers series), and one had that ‘not published’ indication. Hate when I see things like that. I tend to see those on authors who died before books got published (though after they got mentioned as upcoming); or publishing changes occurred (publisher closing down; those in control of series changing their minds (specifically referring here to things like when Star Trek commissioned books set in the new alternate universe, signed up authors, and the books themselves had gone through the stages of being written, but then the Star Trek people squeaked, and cancelled all of them (except for a young adult series); etc.

So, while five books are listed, I only have four I can access and read. But hey, I have four books I can read! So, I started first one. I think I read somewhere, maybe in a review, that the books are linked – well, I can say immediately that I’ve only read the first book and the book descriptions, but I already know the books are linked. The second book in the series stars Iris – Iris plays a large role in this first book.

The first book, though, involves a professor/researcher named Emie Jaramillo who, early on – based on ‘things’, decided to not pay any attention (or little) to looks, and devote as much attention as possible to brains. As in, she wasn’t going to make an effort to ‘look good’, but she was going to make an effort to develop a keen brain. Course that can kind of backfire as she’s in the position now, at least in the start of the book, of believing she’s ugly (or at least so plain no one would want anything to do with her (she makes some comment like ‘not even a philosophy professor would make a pass at her!’, which indicates either that all philosophy professor’s are sluts, or desperate)) and disbelieving of anyone who says otherwise. She’s the first point of view meet in the book, but not the only one in the book.

No, there’s also Gia Mendez, an artist who works on a specific television show. As a make-up artist (though she’d prefer to try to make her living through her art). She’s somewhere nearish 34, and – judging from Emie’s reactions, drop dead gorgeous (judging from some of her own reactions, she doesn’t think she’s that bad looking, but not drop dead gorgeous).

Emie and Gia meet well on a television show – backstage. Emie believes that she is there to describe cloning. Gia’s there to provide some make-up duties. They flirt. They seem to get along well together. Then Emie goes out and immediately sees that things look odd for a discussion on cloning. But sits. The audience makes noises. The host makes noises. Eventually it comes out that Emie is there because another professor at her university thinks that Emie is too bookish looking to date. Emie is horrified and flees. All of this occurred in front of her parents and friends (who were in the audience, though not in on the ‘humiliating prank’). Naturally Emie now wants nothing to do with Gia.

Gia, though, is horrified by the whole event. And quits. And drives long distance to apologize in person.

The two, Gia and Emie, then circle each other. Neither trusting in their own feelings, or in the feelings of the other.

Emie decides that she’s going to ‘get back at’ that other professor by getting a make-over. Gia, trying to come up with some reason to be allowed to stick around, says that she will help with the make-over. Gia, though, is under the impression that Emie does in fact lust for that professor. She’s the only one who thinks that though.

This is a brilliant great work. Lovely characters involved. A solid five star work. And, judging by reviews, this isn’t even the ‘good’ book in the series, so I have that issue to look forward to. *bounces around happily*

(Oh, and by the way, Gia Mendez? From Chicago. I do not recall if they mention where Emie is from – possibly from where she currently lives, Denver, but somewhat unlikely for various reasons).

May 27 2016

Keystone by Bridget Balentine

Keystone
by Bridget Balentine
Pages: 179
Date: February 28 2016
Publisher: Self
Series: Dreams and Dreamers (3rd in series)

Review
Rating: 4.0 out of 5.0
Read: March 21 to 22 2016

The third book in this series and third book I’ve read by this author.

It’s been a while since I read the first two parts of this series, so I’m just going to assume that the second book ended in a cliff-hanger – based on how this specific chapter in the story opened. Actually, let me just look at what I wrote for the previous book. Won’t take me two seconds. Be back in a jiffy.

Ah, hehe. I wondered what was up with the many occasions when Josie talked to herself inside of (). Reminded me a little too much like I was reading Jim Gaffigan, but without the humor. As in:

I really like cheese . . . (Is he going to spend the next hour talking about cheese? I came here to listen to humor! He better not talk about cheese for too long or I’ll I’ll . . leave! *both parts spoken by Gaffigan, second part spoken as if he was giving a very bad impression of attempting to do a fake woman’s voice)

At first I thought that () stuff was because Josie’s sections, at least in the first part, were flashback scenes. And I thought the () was ‘current’ comments she was making while the scenes unfolded. But that () continued in the second part when Josie’s scenes leapt to present day. – I say, getting back to my prior thought that I had been wondering about that () -> I see from my review of the last book that the prior book used heavy italics to convey flashbacks. Well, this time there isn’t heavy use of italics, which I’m happy about. The () was weird, but much more livable than heavy use of italics.

Okay, finally got to what I was looking for – yeah, the second part ended abruptly. As I kind of assumed. The second part ended with Sabrina about to go to a party hosted by her ‘semester abroad’ mentor/teacher but in a certain amount of distress because she just had a fight with the, literally, love of her life (or, in other words, the woman she has loved her whole life, even if the other never really noticed her). This third part opens with that still to be resolved.

Sabrina’s been kicked out by Josie, and must find some hotel room to inhabit until the party. And to change into. We read this from Sabrina’s point of view. Josie’s point of view? At least in the first part, she’s stuck in the past (and that’s one of the reasons I was really confused when the book opened, because the book doesn’t actually open with a continuation of the prior story, but opens in a flashback – Josie flashing back to her time living with her bitchy, alcoholic abusive mother).

Right, so. This is not a work that can be read on its own. I mean that both in terms of this specific book here, and probably, to a certain extent, to this series. It’s probably easier to ‘take’ if read all in a row. Wasn’t possible, for me, since the second part was read by me in November of 2015, and the third part didn’t come out until Feb 28 2016.

The story follows Sabrina in the present as she tries to get over the very brief and abruptly ending affair she had with the woman she has always fancied, Josie. While also having to put on a brave face and go mingle at that previously mentioned party hosted by Tobin, Sabrina’s ‘semester abroad’ teacher/mentor.

Meanwhile, Josie’s in the past reliving, or flashing back, to living with her dreadful horrible mother. And not being able to cut the ties. Not being able to get over her disappointment. Somewhat easier to ‘get/understand/accept’ when the reader adds to the ‘that’s my mother’ aspect the part where she had given her dying father the promise that she will attempt to watch over her mother.

Sabrina needs some time to collect her thoughts, but her sister, Lilly, keeps hammering her with texts. Apparently Lilly needs Sabrina to call their mother. So Sabrina does. And learns of an issue that Josie needs to address, and an issue better expressed face to face. So, Sabrina must face Josie. Only to find her looking horrible, and all the workers at Sass, Josie’s restaurant, giving Sabrina evil looks. Sabrina hurriedly conveys the message that she was tasked with delivering and flees.

Sabrina’s relationship appears to be over, but her career is just starting so she must go to the party. Which I express in this way, because Sabrina learns at the party that part of Josie’s ‘problems’ involves being forced out of her job – Josie has a rotten mother she has to deal with (that’s the issue that Sabrina had to give a message about, face to face), a broken relationship, and a wrecked career.

Sabrina figures out that she needs to be more of a friend than a disgruntled positional/former/future lover and goes to try to give comfort to Josie. I mention all of this story so I can finally get to the part wherein they decide, based on a suggestion by Sabrina, that the thing to do is to drive cross country from New York to Colorado so that Josie can both deal with the issue with her mother, and give herself time to address her problems with Sass the restaurant.

I believe that it might have been around here when the two points of view both shift into the present, for the most part. Though, it might also have been point wherein Sabrina kind of took over more of the book – with Josie’s sections being fewer and further in between.

Right, so, that isn’t the whole of the book by any means, but something of it. A relationship in turmoil, a career beginning/ending, etc. etc. Overall quite good story.

One thing to note, something of a warning I guess since some people care more about this issue that I normally do – there are certain . . . formatting issues? Something like that. Wherein words are missing. Letters are missing (as in, using pass when mean to use passed). 99% of the time I just let the issue flow past me, and do not add or subtract any ‘points’ because of the issue.
One example, though not the one I was going to use (the one I was going to use apparently is refusing to be found by me):

She heard the muffled sound of her mother talking other voices in the background and cringed because Josie definitely wasn’t going to be up for all the residents of Castle Rock to want to stop by and see her as though she were an exhibit on loan from a New York City Zoo

. (not the best example, but one that I can find, insert, and move on from).

March 22 2016