Thursday, November 30, 2017

Trading in Danger by Elizabeth Moon

Trading in Danger (Vatta's War, #1)Trading in Danger by Elizabeth Moon

My rating: 4 of 5 stars


I’m not certain when I first read this series – the date I input for first read was a guesestimate, I knew I’d read the book just not when. Looking at the dates again, I know they are wildly out of alignment with reality considering they imply I read the series out of order. No matter. I know why I started a rereading of the series – the author had ‘restarted’ the series, and/or continued the series under a new name. And I wanted to read that series. But it had this insane initial price so I kept putting it off. Suddenly the price fell within reason so I rushed in and bought it. Then sat there realizing I needed to read the 5 prior books, again, first. Pfft.

Right, so, while reading the series, or at least the first two books so far (and I’ll only include stuff for series in this paragraph) – I’ve noticed that the series could easily have been a LGBT one. While Kylara Vatta, the main character, had a ‘strongly attached male friend’ in the military academy – they had exchanged rings – she hadn’t had sex with him and, throughout the first two books, keeps making comments like ‘not interested in boys/men/sex’. So Ky could easily be asexual/bisexual (she did show affection towards Hal, that military academy friend)/lesbian. But it’s a mainstream big publishing house book and . . . well. You know those million and one lesbian books that have one of the characters, main or the one being lusted after by main (if solo POV book), that have the character say something along the lines (or think it) that they had noticed boys growing up, dated some because expected, but never fancied any, never wanted to fuck any – and she didn’t realize why ‘until now’ *she says or thinks while gazing at another woman* (or, if straight fiction – the next line would be ‘I’d never been interested in boys, but you aren’t a boy are you? You are a man, a real man, and something about you really does something for me that no boy ever could hope to do’). Well, while there are several ‘handsome men’ on the ships Ky has been on (there’s a comment where she says that in the second book – for reasons – she also says that, while there are several handsome men on board, she’s not attracted to any of them), there aren’t much in the way of attractive women on board (her cousin is described as gorgeous, but cousin; the engineer is a woman but matronly and about 100 years older than Ky; there are a few younger women running around but Ky hasn’t mentioned what they look like). *shrugs* possible the right woman would have made Ky ‘realize’ things – though I’ve a vague recollection that Ky does/might end up with one of the men on board in a later book. Might be mixing series there. And characters.

Right, but this specific book here. Kylara Vatta is the daughter of a prominent shipping family (space-shipping, she calls it being a space trucker, or something like that, which is goofy since I don’t think there are any trucks on Ky’s planet). Somewhere fairly early on, pre-13 years old, Ky decided she was going to go into the military. No prior Vatta had done that (though it is later revealed . . . well, that’s revealed in another book and of no importance in this one (view spoiler)), gone into the military, and the family was quite annoyed by Ky’s desires. So they had sent her off to apprentice on a merchant ship for a year or so at the age of 13. It matters later, but the book actually opens when Ky is in the last year of her time at the military academy – it’s not earth and it’s not structured like earth, so I can’t really guess age, but let’s pretend that that would make her roughly 20 to 22 years of age at the start of the book. So that’s how the book opens – with Ky in that military academy.

Actually, the book opens with her being dishonorably discharged from said academy. Because she helped a fellow cadet contact a chaplain (which lead to reports spreading to the news which embarrassed the academy, the military, and the government). So that’s how the book opens – Ky being told, reacting, and being taken back to her massively huge super expensive and rich family home. Whereupon, before she could blink too hard, her father immediately, practically the first thing he tells her is that Ky will be put in as captain on a ship being sent to the scrapyard. Will take about a year (or 10 months) – enough time for the ‘scandal’ to die down in the news. Hereabouts is when Ky made a comment about space-trucker.

And so off she goes, captain of a barely functioning spaceship – tiny, way out of date merchant ship with a mostly aged veteran and experienced crew.

Things go about as Ky expected to and at the first planet they reach. Whereupon she moves from the plan and takes the initiative to take on a contract – some farm equipment is desperately needed and Ky could go buy some and bring it back. Use the money to either make needed repairs to the ship, or, at least, keep the ship running long enough to make those repairs. Vatta captains have the ability (some not all) to do things like that, and first time Vatta Captains kind of a reputation to do this kind of thing. So it’s not so much expected as not outside expectations of possibilities.

Whereupon Ky gets to another planet. Goes about getting some farm equipment. Runs into some trouble because she noted she was doing the contract herself, not as Vatta transport, etc. etc. The communication satellites (not the word used) explode, warships enter the system and . . . well, it’s a war.

Quite interesting and exciting book.

Rating: 4.63

November 30 2017



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Saturday, November 25, 2017

Love Spell by Bridget Essex

Love Spell: Tales of Love and DesireLove Spell: Tales of Love and Desire by Bridget Essex

My rating: 3 of 5 stars


This is a collection of previously released short stories, most of which (all but one) had been released separately on their own previous to this publication (and some had appeared in other single author anthologies . . . I think).

I've read two of the stories previously, 'Moon Dance', and 'Falling for Summer'.

Moon Dance
Outdoors, shifters, wilderness, Halloween

A woman visits a cabin in the woods where she had . . um . . I don't really remember now. Just that two women had been a couple, one poofed, turns up again (view spoiler).

I originally rated this story a rating of 3.6 back when I read it in the anthology Wicked.

At the time, my review for the story was:
Camping, Werewolf, Shifter

Essex sure is obsessed with wolves.

So, a couple are perfect for each other - they've been together for awhile. One night, around Halloween, one of the pair darts off on a run through the woods (they had been camping). When she finally gets back, she's flustered, and immediately packs up. Forces a return trip home, packs up there was well, severs all contacts, and disappears.

It's a year later, and the other member of that coupling (former coupling), is at that same park again. For more camping (by the way - I'm fairly certain the word 'camping' was used several times - yet the campers apparently 'camp' inside of cabins. Confusing). I guess 'cabining' isn't a thing. Or, I mean, a word.

The woman, naturally, is sad. Stuff happens (including graphic sex - between two women). The end.

Not the best wolf story I've read by Essex.


The Halloween Party
Halloween, Possible Vampire, age-32

A woman has spent a good deal of time being dateless, sexless (well, I mean, without sexual relations), and busy working at her internet advertising firm she owns and runs. She's both not had luck with dating (prior ex hooked back up with the ex-girlfriends ex; one before turned out to 'actually be straight'; one before that said something along the lines of 'it's not you, it's me' (I might have the order wrong); and not have time to date. So, it's been a year.

Her friend, Genevieve, is super into Halloween, to the point she has year-round decorations up (reminding me of another Essex character who had year-round Christmas decorations up) - but it is actually Halloween now and she's throwing a massive party and wants Sam, the main character, to come to the party. Sam's super reluctant but finally gives in. One of her excuses involved not having a costume, which is how she ended up 'borrowing' Gen's vampire countess costume (which has a super short skirt, horrifying to Sam but . . . she wears it anyway).

Three seconds after arrival, Sam has torn her skirt - so she pops into the bathroom looking for some way to pin up the skirt. A few seconds before the skirt accident Sam had been eyeballing another woman 'from across the room' (that old cliché). Before you can say 'squirrel', the bathroom door opens, that other woman makes some kind of 'oops' noise, then continues in and closes the door. She indicates she has some pins that she can lend Sam. Seconds after the door closes (actually, now that I think about it, she might have closed the door before realizing someone else was in there), it is determined that the door is now stuck - that they are now stuck in the bathroom.

They, Madison (that other woman), and Sam have a passionate graphic sexual encounter in said bathroom. Repeatedly Sam makes a comment, in her brain not outloud, about how cold Madison's skin is. And how sharp her teeth are. And how non-reflective her body is in mirrors (as in, not appearing in mirrors). Oh, and Madison is also wearing a vampire costume.

Fun times.

4.25

The New Year's Party
Boston, Holidays, New Years, Writer

A writer whose relationship with a woman named Shane broke apart 10 months ago is dreading going to her sister's New Year's Party because her sister invited Shane to the party. She, the writer, has decided not to go to the party . . . wait - when I say 'writer' I don't mean that this is the person narrating the story to us "I walked outside" . . . no, I mean that Juliane is, by profession, a writer, and I couldn't remember how to spell her name so was trying to use something else to identify her by. Right, sorry. Juliane had decided not to go the party, but decides to get some hard liquor. Runs into someone who will be at the party, gets talked into going to the party. It's snowing hard in Boston. Stuff happens. The end.

Point of confusion 1) It's probably my reading, but I initially read it as Shane and Juliane had been together for 10 years, then later learned it was just three months they were in constant arguing fights, sorry, relationship. When I'd misread things and thought that it had been a 10 year relationship, I thought the sister was stepping over the line in inviting Shane, but ... there are ways to see that being vaguely . . . acceptable - but inviting Shane to your party, making your own sister uncomfortable, because of a 3 month relationship that had occurred 10 months ago? Really? Fuck her (the sister). 2) if the author had intended for the reader's emotions to be impacted by this story, good job. Waves of rage and anger probably weren't the emotions intended though, but whatever.

I did not like this story.

Rating: 0.5 stars

November 25 2017

The Valentine's Day Party
Boston, sub-teacher, second-chances, rainy/muddy, dog, sexually explicit, 20s, Valentine's Day

Two people knew each other at college. They hooked up for a week - then one realized 'oops, my parents are right, I'm straight'. They meet up again 7 years later when both are called in to sub teach the same class (an accidental double booking). They teach, it's valentine's day, one says 'for real' way too much, other is a condescending bitch. They have sex. The end.

Rating: 3.15

November 2 2017

Falling for Summer: A Novella
Romance/erotica/age difference/small town/sexually explicit

A woman, Amanda, returns to Lake George NY where her sister drowned when Amanda was 17. It's 20 years later.

There's stories that a masked serial killer has been terrorizing the area and campers. Seemingly targeting people in the middle of sex. Amanda gets 'busy' with her dead sister's best friend, suddenly . . .

Wait, no that's Jason and Friday the Thirteenth, not this story. There is a dead person, and Amanda does get 'busy' with the dead sister's best friend, but there are no serial killers in this story.

I read this story in 2015. I have not yet reread it. I probably won't. I originally gave this story some super high rating (close to 5 stars), then kept picking at the rating. At the moment I see that the story rests on my 4.25 shelf.

Original review:
I don't actually recall if the other main characters in the stories I've read by Essex are as unstable emotionally as they have been in the two stories I've read today, but I've a vague recollection that it is something of a theme (one was a lonely woman, waiting for her knight in shining armor, other was a woman in a bad relationship, tired of being taken for granted). Not so much unstable, just overly emotional. Maybe. Well, the one in Wolf Queen was. And the one in this one is. Though both have their reasons for their unstableness. I'm not sure unstableness is a word.

So, Amanda has returned to her home town after 20 years. To punish herself. It's been twenty years since her sister died. When the sister was ten, and Amanda was 17. For a while Amanda had monthly nightmares. Recently it's been weekly. She blames herself deeply for the issue. So, naturally, she's overly emotional.

So, this overally emotional woman arrives at Lake George to mourn her sister Tiffany, and punish herself. Arrives to find a woman slide out of the water and grin at her. Then realizes and or remembers that Summer, the name of the woman, was one of Tiffany's friends. So she's abrupt and rude to Summer. And bitchy.

hmms. I guess this is the sex one. Read two stories by Essex today. Both released this month. The other lacked graphic sexual activities. Unless I just missed them somehow. heh. This one isn't lacking said graphic activities.

hehe. Oops. Accidentally started laughing during the sex scene. Then continued, maybe, because I had started laughing. "Summer tastes of exactly that: summer. She tastes of green grasses . . ." and that's when I started laughing. She tastes like grass. Like . . . grass. hehehehehehe. How'd the rest of the sentence go? Don't know yet. Haven't been able to read it yet. hehehehe. Moooo. 'ooh, you taste . . taste like *licks, gobbles* ooh, like like grass, lovely grass . . ..' Bah. I be insane.

Bah. Another long drawn out story about how being gay in a small town was just not done and . . blah blah blah. mmphs. I just read that. I don't need to read it again. Even if it is true to life, I don't need to keep reading it over and over again.


Sugar Moon: A Novella
Wolves, Shifters

A group of travellers - wanderers who . . . um . . wander, are named the Maja. One of them, Elise, is heading towards the place where the Maja meet up with each other once every month.

Along the way she feels like she's being watched, flees, stops by a lake, strips naked and floats in cold lake water, is almost drowned by the ghost of her mother who whispers things about 'listen'; meets another woman who seems incapable of saying anything but 'listen' (okay, not really, but she also says it repeatedly) . . . and other stuff happen.

Also there are wolves and werewolves.

Rating: 3.88

November 22 2017

Ratings:
Moon Dance - n/a (if I use my first reading rating, this would be 3.6)
Halloween Party - 4.25
New Year's Party - 0.50
Valentine's Day Party - 3.15
Falling for Summer - n/a (if I use my first reading rating, this would be 3.75)
Sugar Moon - 3.88
Overall:
counting the prior read ratings: 3.188
not counting prior reads: 2.945

This book confuses me. I entered it expecting werewolves, or, at least, something relating to fantasy. Oh, and romance, of course. What did I get? Two out of six stories involve werewolves (first and last story). One story involves vampires. The rest? Just plain contemporary lesbian fiction romances. No fantasy elements in those other three stories.

Disappointing, especially as the book itself says 'Escape into the magical, passionate pages of LOVE SPELL." Oh, and no, there are no love spells in this book.

Story 1: Moon Dance - camping, one of the people involved is a werewolf.
Story 2: The Halloween Party - vampires. fantasy stuff.
Story 3: The New Year's Party - contemporary romance set at New Year's Eve time. No fantasy stuff.
Story 4: The Valentine's Day Party - contemporary romance set at Valentine's day time. No fantasy stuff.
Story 5: Falling for Summer - contemporary romance involving a woman and a much younger woman who was the best friend to the other woman's now dead sister. No fantasy stuff.
Story 6: Sugar Moon - mix of witch and werewolf in same story. Has fantasy stuff. (basically this one story fulfills that 'werewolves, witches, and more!' from the synopsis, though that kind of implied that all of the stories would be 'magical'.

November 25 2017



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Thursday, November 23, 2017

Descent by Julie Cannon

DescentDescent by Julie Cannon

My rating: 2 of 5 stars


I have several issues with this book, but let's start with a very basic outline before I add the issues in.

Two rich* young woman attend a rich elite expensive private school - the equivalent of a high school. Both are athletic and into doing sweaty stuff. One, while playing tennis, spots the other walking by looking all gorgeous and stuff – distracting her and allowing the male tennis pro she was playing beat her. Later tennis player and gorgeous woman end up in the same locker room. Gorgeous walks into a shower room, into a stall, other follows, closes the door behind her, pounces onto gorgeous. Luckily for everyone involved, including the reader, this act of sexual assault morphed into just sex. The two become a couple. They hang out together and fuck. One day, near the end of their time at school, one is studying for a test. She’s the kind who can get good grades, but has to really study hard to achieve this feat. The other knows and when Study Girl gets all amorous, tries to redirect her attention to studying. But Shannon is 17 and horny, so she doesn’t try too hard to get Caroline back to studying. So, as you might expect, they fuck. While Shannon’s fingers are inside Caroline’s vagina, the door opens. Standing there is Caroline’s papa and the school principal. Neither looks happy. Shannon tries to defend herself and Caroline. Caroline just continues being shocked and stuff. Unmoving. Papa Davis (Caroline’s last name being Davis) looks super angry. Super. In a low controlled voice he tells Shannon to leave. Relatively quickly she does – especially after the principal steps in and tells Shannon to wait in the next room. Before you can snap your fingers and sing ‘it’s raining men’, Papa Davis has worked his influence on the school and kicked Shannon out (though she’ll be allowed to take the tests to graduate, and, remember, it’s just a few weeks until graduation anyway sooo….). Shannon, afterwards, frantically attempts to make contact but almost never gets through – and when she does get through she just gets voice mail. Years go by. The two see each other again, occasionally, on the job. They mostly grunt at each other or ignore the other. Now it’s ten years later (as evidenced by the 10 year reunion letter that popped up near the beginning of the book). Both expect to see the other, but still ignore the other, as they compete in the mountain bike racing championship series of races. Shannon has developed a really huge player reputation, the kind wherein she might bounce from one bed to another on the same night. Caroline hangs out with a straight woman named Fran, and very occasionally will wiggle sexually in a bed with some woman. While competing in bike racing, Caroline has also been working on getting her Ph.D. In Astrophysics. Three weeks after the racing series ends, she’ll have to defend her dissertation – if successfully she’ll immediately become an astronaut for NASA (I’m not sure if NASA has any say in the matter).

Take two:
Two young women meet in a rich elite expensive high school like school. They become a couple. They fuck a lot. Father Davis catches them. Shannon doesn’t defend them and flees – and the next time they communicate again is when they spot each other at racing events years later. Whereupon Shannon continues to basically ignore Caroline. Caroline blames Shannon for their ‘it’s just a teenage fling’ being over. Shannon, on her side, wishes she’d done more to be with Caroline, and blames herself. Caroline moans to herself about how her fingers bleed after graduation from the number of times they beat at the phone buttons – to little or no result. Shannon has developed a really huge player reputation, the kind wherein she might bounce from one bed to another on the same night. Caroline hangs out with a straight woman named Fran, and very occasionally will wiggle sexually in a bed with some woman. While competing in bike racing, Caroline has also been working on getting her Ph.D. In Astrophysics. Three weeks after the racing series ends, she’ll have to defend her dissertation – if successfully she’ll immediately become an astronaut for NASA (I’m not sure if NASA has any say in the matter).

These are not alternate story lines but how the story is told over the course of the book. There were many confusing things that popped up, in addition to the things that could be spotted in the two paragraphs above. Like the part where I thought both young women were rich but a couple words here or there, and some attitudes shown, makes me question that. Like the part where I know Shannon has bucket loads of money, yet allows herself to have a super creepy sponsor manhandle her and be gross towards her while she nervously whimpers and just takes it – though she shows slightly more backbone when the sponsor’s wife tries to hump her – more in that she is sexually harassed, occasionally sexually assaulted, but keeps saying ‘no’. She’s super nervous about losing her sponsorship. Even though she could pay for everything herself. Or . . . can she? Things that pop up in the school sections, things like how some of the other students literally and directly make comments to Shannon like ‘you don’t belong here’ lead me to question certain things. Then there’s Caroline – who seems to have a rich girl attitude and stuff, and her father sure did seem to have a lot of influence over the rich private elite high school . . . yet it is also mentioned that the parents didn’t have the money to travel to see all of Caroline’s races. Sooo, um, wha? Also – it was never mentioned just what the fuck the father and principal happened to be doing there right then. Overlooking, of course, the part where the door was unlocked. It sounded more like someone telling another person about a reoccurring nightmare that was slightly unlikely that involved their father ‘catching her’, and, ooh! The principal as well! Seriously, what the fuck were the father and principal doing there?

These little story hiccups happened throughout the book. Like the time Nikki barged into Shannon’s trailer and sexually harassed her. Which lead to . . . a comment in Shannon’s head about how she had the conversation but here Nikki is again, whereupon Nikki sexually harassed her again. Seeming to indicate that these were two different incidents – but there’s no break between one to the next.

And good grief I kind of despise Caroline. She did nothing to try to keep a relationship with Shannon going when papa turned up. And her relationship with the man who broke her from her lover and kept them apart was . . . fabulous. And yet it’s Shannon who is the ‘bad human’ in this story who needs to beg for forgiveness (for what exactly)? Caroline loathes Shannon for unexplained reasons (there are hints, not very well done, that Caroline had tried to keep in contact with Shannon but Shannon ignored her – not very well done because we have competing stories about what occurred, and both seemed to be believed by both (that Shannon had in fact tried to make contact, and couldn’t, that Caroline had in fact tried to make contact, but couldn’t; or that both ignored the other after the fact with Shannon blaming herself in both situations – because Caroline’s this innocent angel or something – fucking bitch).

I was going to make comments comparing this one with Spangler’s Edge of Glory (both involved two athletes competing at the height of their sports competing in a series of races all over the world (though one involves snowy events (and different events, skiing and snowboarding), while the other involved summery events – mountain bike racing), both books have straight side-kicks who are kind of horny; both have issues the athletes have to overcome to get together; then make some comment about how Spangler’s version had been executed at a higher level) but this book here, just both confuses and pisses me off too much to be making comparisons.

The first status update I made indicated that the book was just filled with sex. Something like how I’d read 48 pages and only like 3 of the pages didn’t have sex, people thinking about sex, or people self-pleasuring themselves. So, yes, this book is sexually graphic. But it should be noted that there wasn’t a whole lot of graphic fucking going on after that. There were a few occasions where Shannon would grab some random woman to ‘do stuff with’, and evidence of that ‘stuff’ would be visible after the fact, but the sex act itself wouldn’t be described, but then there were also a few more graphically described events that occurred after the 23% mark of the book.

There’s a thread in one of the Goodreads groups I follow. Something like ‘favorite lesfic couples’. There’s no fucking way I’d put Shannon and Caroline in that thread. No, I’d put them in ‘lesbian fiction couples who I loathe and wish had never meet’ thread.

ETA: oh, rereading what I wrote - another thing that I had issues with - the ages seemed to be weird in the book. The two young girls are somewhere between 17-19 in that high school, though the age of '17' is used at least once when describing that they were weeks away from graduation (though I think other ages were used at some point) - there's a ten year anniversary coming up, and since they were 17 when they graduated, that naturally means they are 27 now . . . except one is stated as being 28, while the other is stated as being 29. So . . . um, wha?

ETA2: Oh, then there was a different kind of issue - like when it was just calmly stated that Shannon was six feet five inches tall and was, therefore, just average height in the area they were in. Six feet five inches? 6'5" . . . average height?

ETA3: it doesn't really get addressed but Shannon thinks that Caroline is dating Fran - from the touches, looks, caresses, to the fact Fran keeps following her around the many different cities, countries, continents. Then Shannon fucks Caroline . . . while still thinking Caroline is dating Fran. So . . . I put the book on my cheating shelf.

Rating: 2.60 (I might be overly generous with my rating)

November 22 2017



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Wednesday, November 22, 2017

Wingspan by Karis Walsh

WingspanWingspan by Karis Walsh

My rating: 3 of 5 stars


In a detached distant kind of way, both of the women who are the main characters and main points of view, are full-formed and likable by me. In a closer view of the situation, both seem to have the building blocks to be fully formed characters, but both are still somewhat fuzzy. Don't ask me what I mean, I don't really know.

Two women had somewhat unfortunate 'growing up years'; one decided to embrace life on the fringe, on the outside, and put her desires, trust, faith into the avian kind (this isn't a fantasy book, I mean that she likes birds, not that she is romantically interested in intelligent bipeds that have the look and ability to fly); while the other saw what happened, what was happening, what would likely happen if she allowed herself to be on the fringe, to express herself, to live life as herself - so she went deep into conformity. In clothing, in occupation (going for the cookie-cutter career, instead of taking a risk on allowing her imagination to fly free), in relationships (going for the sophisticated city dweller type who always is well-groomed, drives a fancy car, and can acknowledge the view from a rural area, but would rather visit it than live in it), and in other ways.

Bailey Chase is the avian loner one - though instead of living free in the woods with nature, she got educated to be able to be a veterinarian and built an avian rescue/rehap place. A place people bring eagles with injured wings so the eagle could be saved and released back to the wild. Also other birds. Like ospreys.

Kendall Pearson is the one hiding in a beige life. Though cracks occasionally form in the walls hiding her inner geeky rebel, and risky things she wouldn't normally do occur. Like buying an old classic corvette, or an acre of land in a wild, rural area that would require a very long commute by car and ferry to her job. Mostly, though, she lives a bland beige life. Until her acquisition of land, her impulsive acquisition, lead her to find an injured osprey on her land. Which lead her to attempt to save the bird. Which lead her to finding herself outside Bailey's place with an osprey in a box.

The two, Ken and Bailey not the osprey and Ken, circle each other, somewhat distantly, somewhat close, somewhat desiring the other but 'knowing' they can't have the other. Bailey is too . . . delicate and fragile (where Ken got that initial idea eludes me), and definitely not beige or bland - too unsophisticated city slicker for Ken's desires to blend in and hide in conformity (overlooking the part where a sophisticated city dweller type, the kind overly conscious of 'looking good' and 'hair always in place' would stand out a mile in a rural area - where Ken desires to live). While Ken . . . I didn't actually get Bailey's 'can't touch her!' reason, other than repeating thirteen dozen times that 'she's going to leave', and therefore . . . something something.

Can they break down the walls both have built? Well, this is a romance book so . . ..

There was sex. Don't ask me how graphic it was, I kind of more lightly skimmed it than anything else - I didn't particularly want to read sexually explicit stuff right then and there so . . . *shrugs*.

Rating: 3.3

November 20 2017



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Tuesday, November 21, 2017

Good Enough to Eat by Alison Grey, Jae

Good Enough to Eat (The Vampire Diet Series)Good Enough to Eat by Alison Grey

My rating: 5 of 5 stars


I've probably read more than 4000 books, 3586 of which are listed on Goodreads (there's a bunch of books that I've either not listed, or combined - like, where possible, most of the Robert B. Parker books I've read have been removed and in their place are omnibus editions that include a bunch of them). I mention that specific factoid at the start of this review for one simple reason: I've read a lot of books, but very few of them have I read more than once - probably something around 50 or so books (I've not always remembered to enter rereads on Goodreads so only 42 are listed on here). Well this specific riveting paragraph is just to note that I've 1) reread another book; 2) the author I've reread the most books by is Jae. I've reread 11 of Jae's books - and this book here is that 11th book.

Right, so...

Robin Caldwell is a 68 year old successful author with an addiction problem. Which is why the book opens with Robin sitting outside a church in her car. For roughly 30 minutes. Just sitting there. For there's an AA meeting scheduled at that church and Robin's been working up the nerve to actually attend. Though she's shaking and looking kind of rough. She's really thirsty. Once she finally gets inside, though, she meets the other POV in the book - Alana.

Alana Wadd is also up there in years, and she also has an addiction problem. But she has been fighting it and been sober for roughly 2 years when this book opens. Brian, her own sponsor and leader of that specific AA's group, assigns Alana to work with Robin as Robin's sponsor. Alana, by the way, is a divorce lawyer.

Sponsors and sponsorees do not have to be friends, but can become so - they are not supposed to become sexually or romantically involved though. So the two older women move through the stages of accepting their positions (sponsor/sponsoree); friendship, before reaching sex (which was graphic and . . . quite enjoyable).

Neither of the women, despite my wording so far, look like old women. No, both look to be . . . well, I'm not sure that ever actually came up, but judging by the covers and some words here or there, I put them both as looking to be in their 30s. Neither fell into a fountain of youth or anything like that. No, while Robin is in fact 68, she is also a Girah (aka, vampire). Alana, on the other hand, is a human - but she used to be a djinn (aka Barbara Eden's role on 'I Dream of Jeannie'), and has been alive roughly 450 years.

This isn't as fluffy as some reviewers put it, but it is 'fluffier' than average. I mean there is conflict in the story - inner and outer (trying to restrain self from drinking blood, despite the fact that that is literally the thing that keeps Girah's alive; fighting family, friend, and Girah elders about restraining from drinking blood; etc. etc.). And this isn't one of those insta-love/relationship/whatever - the two women do have to go through several stages, and several walls to be together - especially the part where Alana never wants to have a relationship with another human (and thinks Robin is human); while Robin has to lie about being a human with Alana (lying is not a good relationship foundation, but then neither is perceived insanity ('right, you are some kind of vampire type creature?") or actual fear ('noo! don't drink my blood!') - plus Robin keeps alternating between wanting to hump Alana, and wanting to drink her blood. Oh, that reminds me - Robin being in an AA meeting for her addiction to blood is kind of like Alana being in an AA meeting in a fully functioning bar (since Robin's addiction is to blood - specifically the type of blood, O negative, running in Alana's veins).

Right, so, I really really enjoyed this book, and thought everything about it was great, including, did I mention? the sex scenes. And by 'really really enjoyed', I mean to the extent that the book is joining the four other books on my top shelf.

Rating: 6 stars (shelf accessible only to rereads; something only 9 to 11% of rereads reach).

November 21 2017







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Monday, November 20, 2017

Grounded by A.E. Radley

Grounded (The Flight Series, #2)Grounded by A.E. Radley

My rating: 4 of 5 stars


The story of Emily and Olivia & Henry continues. It's hard to say much without being spoiler-y.

The prior book ended somewhat abruptly, though I'd already known that going in so it actually seemed somewhat less abrupt than others might have experienced. Probably because I owned both books before starting the series. No, the problem I encountered wasn't the abrupt ending of the first book, but the extra long opening wherein the issue that popped up at the end of book 1 took a really long time to be addressed.

There's a lot more business conflict in this book. And while the prior book included information that would lead one to expect that neither woman had great parents (or, in Emily's case, parents-in-law - I don't actually remember if Emily's parents were ever mentioned), that specific family conflict dynamic wasn't really seen until this book here. Where it played a massive an important role - when Emily's in-laws, after years of being 'quiet' on the conflict front, suddenly popped up again to be assholes.

...

I've now spent about five minutes starring at my screen trying to figure out what I can write here that wasn't/isn't filled with spoilers. Um . . . both women face work related 'issues'; at least one faces health-related issues, while the other faces family drama. Nicole, Simon, Tom, and Lucy all show up in this book (as well as someone connected to Simon, though I'm not sure if that's spoiler-y or not).

Rating: 4.45

November 20 2017



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Friday, November 17, 2017

Flight SQA016 by A.E. Radley

Flight SQA016 (The Flight, #1)Flight SQA016 by A.E. Radley

My rating: 4 of 5 stars


I'm probably following along way behind everyone else with this series, so I'll be brief. The fact that I wanted to wait until after I had completed the second book before writing a review for this book probably plays some part in my lack of desire to be extra wordy (you know, like several hundred sentences as long and wordy as this one here).

When I say that I'm probably long way behind everyone else, I'm not just blowing smoke. Something like 35 of the people I am friends with or follow on here have read this book, and roughly 415 others have also already read this book. Soooo....

The book opens with Emily White being driven, somewhat recklessly, towards the airport and the start of her new job by a man named Tom. First thought: crap, this is another 'not-a-lesbian' who opens the book with a boyfriend (or husband)? mmphs. But wait! Tom's the husband of Lucy and both of them are allowing Emily stay in their house (along with Henry, Emily's ~5 going on 6 year old son). That new job? I forget the exact word used, since it has kind of changed over the almost century of flight - wait, no, first commercial flight was in 1914, so century plus of flight. From stewardess to flight attendant to . . . um . . well, those two at least. Cabin attendant. Flight crew. Or I'll be as vague as the book description: Emily has just taken a job working the first class cabin. For reasons which may or may not be spoiler-y and therefore won't be mentioned, Emily makes the flight from New York to London and London to New York twice a week (as in 2 round-trip flights, though not back to back).

While working at this job, Emily meets the other main character of deep importance (I know the second book has many many point of views, but I forget if this one has more than just a few). That being Olivia Lewis (Olivia, I've recently learned, is a massively popular name in the English world - falling within the top 1 to 2 spots (everywhere being Canada (2), Australia (1), England (1), New Zealand (1), USA (2nd), Scotland (1) - except Ireland where Olivia is 14th on the popularity list, 5th in Northern Ireland). Olivia is the head of a financial services organization. She also has an undiagnosed condition that may or may not be aspergers.

Over a long period of time the two women form a friendship - though it is hard, sometimes, to tell if the relationship being watched by the reader is between Henry and Olivia or between Olivia and Emily (Emily, by the way, is also a super popular name world wide).

The story that unfolds is quite enjoyable to watch.

Rating: 4....something. Something around 4.5 stars.

November 17 2017



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Wednesday, November 15, 2017

Outcaste by Fletcher Delancey

Outcaste (Chronicles of Alsea, #6)Outcaste by Fletcher DeLancey

My rating: 4 of 5 stars


Was excited to see the book appear as a 'coming soon' book. Then annoyed when I saw others being able to read it before I had access. Then took slightly less than a month to actually start to read the book. Two reasons for that delay - I finally noticed that this book focuses on yet more new characters and is, in a way, like Lynn Galli's At Last - specifically the part wherein Outcaste is, like that book, both a prequel and sequel to the series it belongs in ('At Last' starts before the Virginia Clan series, includes material that occurred during that series, the continues past the last book in that series).

Outcaste restarts the series from before the beginning. I didn't catch all the hints as they came and went, but I believe this story begins roughly 13 years before the events in The Caphenon (time passed quickly, though I believe that the book opens with Rahel being 13, then was around the age of 26 when the events of Caphenon occurred); moves past the events of the other books in the series, references the events in those books in passing (including Vellmar's sports wins in Vellmar the Blade) and closes some point past the current furthest point of the series (when Rahal was, roughly, 37).

That's right, this book follows the life of someone for 26 years. Some parts of which have, actually, been glimpsed in prior books, though I'm not saying exactly what I mean as that'd be spoiler-y (okay, more I'm 99.9% certain that she was glimpsed in prior books, just not 100% certain).

The book opens with Rahel Sayana (not going by that last name at the start of the book) dutifully doing her job as daughter to a member of the craft caste and merchant caste. She showed no Craft skills, and so has been groomed to enter the Merchant caste. She’d rather, though, join the Warrior caste. The mother seems to defer to the father when he very strongly leads Rahel down this path, blocking every attempt by Rahel to go a different direction, including tossing her library books (because they put the warrior thought into her mind, and were a ‘distraction’), saying that joining the training house was ‘too expensive’, to attempting to force her to ‘sign up with’ (not the words used, I forget the words used, register? Inscribe with? Something or other) the Merchant caste at 15, two years before she would ordinarily sign up – whereupon Rahel finally breaks and states that she wants – super-duper wants to join the Warrior caste and won’t allow herself to be inscribed into the Merchant caste. (This exciting paragraph, no?), whereupon the father withdraws his love (what, they an empathic alien race, she can tell). And Rahel flees to the city. Unfortunately she arrives to learn that the Warrior caste won’t let her sign up without parental permission – at least not at her current age – come back in 2 or so years and try again. Whereupon Rahel becomes an outcaste – living on the edge without membership in a caste.

So, book started off with family issues/controlling parent(s). Moves to ‘growing up fast’, to ‘graphic depictions of ‘underage sex’, to ‘prostitution’, to ‘rape’, to abuse/torture/war . . . and an endless stream of hard to read stuff.

I’m not playing around with that ‘depictions of underage sex’. It’s true that we are talking about aliens, using a different biological scale, time scale, etc. etc. – but including multiple repetitive mentions that the sex that occurs involves pedophiles and people younger than the age of consent. Add to that the part where one of the people involved, while not actually being that age, looks roughly 7 years younger than they are – looks prepubescent. Mind, most of the graphic stuff takes place off the page. The ‘first time’ though is graphically described, and involves underage aliens.

I’m not really sure how to take that. If the book involved humans, I’d have a better understanding of just what exactly I was reading. But the book is about aliens with a very different biological make-up – to the point that the graphic depiction of sex did not correspond to what you’d read if it did involve two humans. What with all the talk of ridges, and fingering the male’s vagina (not the word used).

Funny. I was just going to write something along the lines of ‘I do not think I can write a review for this book’. Then all these words appeared *points around*. Then I got hung up on the underage sex, rapes, abuse, torture, and can’t continue. Much. There were enough elements in the beginning, middle, and end that would lead me to be able to give this book a rating as high as I did. (Oh, I forgot adultery and cheating, which occurred in this book also).

I’ll just note one thing before moving on with my life – At one point in the book it is brought to Rahel’s attention that she is sansara. Someone who does not derive pleasure from receiving sexual contact. The glossary, at the back of the book, defines sansara as ‘asexual’. Certain issues involved here, like the part where Rahel does receive sexual pleasure from giving sexual touches/satisfaction/etc. and how that does or does not correspond to an asexual, but I’ll just move on. Since it is a complicated topic, and we are talking about aliens here.

Rating: 3.68

November 15 2017



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The One Who Eats Monsters by Casey Matthews

The One Who Eats Monsters (Wind and Shadow, #1)The One Who Eats Monsters by Casey Matthews

My rating: 4 of 5 stars


Neat book. Much more convincing, than I've some times seen, example of someone super old being super naïve about certain aspects of human life (Ryn lives, as much as possible, or had, in the 'wilderness' places that had smaller number of humans running around; though has spent longer than history could record (there's reasons I word it that way) watching humans being . . . humans.

One aspect that I didn't expect, though is hinted at in the book, was the part where Ryn ....um, hmm, probably not a spoiler since it doesn't really have an impact on this book. Even so - well, I can't say because it's a spoiler. Though does not have a direct impact on this book. I look forward to the next book in the series.

--
Of note: There are a million and one point of views in this book, including various military/police investigators, demons, monsters, young teenagers, etc. This book is in no way just from the point of view of Erynis.
--
Boiled down: this story is about a elite military person who stumbles across a young girl who, it appeared, had been brutally attacked by the people his unit was attacking. That individual, whose own story continues throughout the book, pulls Ryn, the young girl, from this wild untamed area and brings her back to his own country, the USA, to try to 'rescue' her. Unknown to him, Ryn - while she might have needed a little help down from where she was found, didn't really need to be rescued because she isn't actually a young girl, but an ancient creature that eats monsters (hence the book title).

Ryn is placed in an 'institution', not seen in this story, then into a group home - which is where her specific story restarted (after the wilderness part). The group home is run by a super creepy man and woman who give off massive pervy vibes. Ryn's powerful and stuff so . . ..

While out and about wandering as she liked to do, Ryn runs across a young human teenager named Naomi Bradford. 'A Senator's daughter' - pulled from book description. Something pulls them together, though it's Naomi who first approached Ryn - because Naomi is the type of rich young woman who looks for causes to support and is always on the verge of despising herself for having money. And Ryn was leaning very close to a mall railing - and one of Naomi's charges had recently committed suicide so . . . Naomi was hyper-alert for people near edges.

Naomi basically forces Ryn to eat a meal with her and her, Naomi's, two friends. Naomi was there to be with her friends and . . . I forget now what, shop? Ryn had been there to find monsters to eat. Ryn, though, has issues with large crowds (she, if you recall, has spent the majority of her time in less crowded wilderness areas), and had been having a kind of panic attack while against the railing. From all the people and noise. Though, and getting back to the point of this paragraph, Ryn was there tracking a specific monster. One who, in turn, had been tracking Naomi.

That monster attacks Naomi in a parking garage, Naomi shows she's more than just a helpless little girl, gets away, and Ryn plays with the monster.

Whereupon the other points of view come up - a fat slovenly police dude and that same military guy from the beginning of the book, now a police dude (rereading - two different people being described here), investigate the 'incident' in the parking garage - and later a bunch of other incidents that are directly linked both to monsters and Ryn.

Meanwhile - Senator daddy is super hyper and alarmed by his daughter's near rape/death and has basically put Naomi on house-arrest. Ryn shows how poor humans are at security, even when there are elite guards and stuff, by easily sneaking into Naomi's room and convincing her to go out (and keep the previously arranged 'date'). Whereupon Naomi, and group, again get into another 'incident' of grave danger.

And so the story unfolds. Ryn bouncing around chasing/eating monsters. Naomi falling into danger nonstop in the city, then on a camping trip. Ryn and Naomi becoming friends, then falling apart, etc. etc. Life happening, and stuff. Including the part wherein Naomi has a long-term plan involving romance/relationships/her life, and it definitely involves a boy/man - though she hasn't found that man yet (and definitely doesn't involve a girl, like, say, Ryn).

As noted - quite interesting fun read. Look forward to next in series.

Rating: 4.33

November 15 2017



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Saturday, November 11, 2017

The Duchess Deal by Tessa Dare

The Duchess Deal (Girl Meets Duke, #1)The Duchess Deal by Tessa Dare

My rating: 5 of 5 stars


“You are always making these suggestions as though they should be threats. Meanwhile, I’m only intrigued.”
- page 258

This is the first book I've read by this author. Wasn't sure what to expect, what I might find, though figured I might possibly like it after reading the opening in a sample.

The opening wherein a man, the Duke of Ashbury, is writing notes to his solicitors when he is interrupted, important to note that the last thing he wrote before the interruption is 'I need a wife'; he is interrupted by a woman in a wedding dress. Various ways that could have been conveyed, this situation, and I liked the humorous way this was conveyed.

The important part, though, is that the Duke of Ashbury needs a wife - not for any kind of inheritance or similar that sometimes pops up, but just because he wants to continue his family line. Oh, and he doesn't want his cousin to become the Duke. So he proposes an arrangement with the woman in the wedding dress.

The woman, a seamstress who had made the wedding dress but didn't get paid for her work, is Emma Gladstone. She's about to be kicked out of her dwelling for lack of rent, and isn't in a good position to pay for food. Why didn't she get paid? Because the woman whose dress she had created had broken off her engagement to the Duke of Ashbury. Mostly because the social climbing money needing/loving woman becomes literally physically ill when forced to look at the heavily scarred by warfare Duke. (that's the story that comes out first and yes there is more to it, like how that's a misstatement but bah) And so, the wedding didn't happen, the dress wasn't paid for, and the seamstress is in a bad position with those others who also like being paid - like those who rent her places to live and sleep.

Naturally Emma . . . rejects the proposed arrangement, but that's fairly quickly overcome by the persistent Duke. And so they very rapidly find themselves married to each other. With rules. And contracts signed.

Quite humorous book. Nicely told/written. Lovely banter and stuff. And there are some twists and turns to over come to reach the happy conclusion.

Some things picked up in the book: The, now, Duchess upon being caught yet again starring at the Duke:

My apologies. I wasn’t staring out of horror. I was merely undressing you in my mind.

Oh, that would go brilliantly. Very duchesslike, that.
- page 85

Other quotes:
She smiled. “Do you know, I suspected you were a good man, deep down. Even if very, very, very deep down. In a fathomless cavern. Underneath a volcano.”
- page 115

"It would mean a great deal if you’d hold me. You know, with your arms.”

Brilliant, Emma. As if he might have tried to hold her with his knees or eyelids without those instructions.
- page 197

Oh right, the blowjob quote. I'm not exactly big on reading about someone giving another someone oral pleasure upon their penis (or, in this case 'engorged staff'), but I rather liked the scene presented in this book. Probably because of the inclusion of humor. I do like humor with my sex (not all the time, but, you know, helps.)
(view spoiler)

I'm going overboard with quotes, so I'll put this one also behind spoiler - just some set-up: Emma brought a cat with her into the marriage, cat's name? Breeches. Scene: Cat has escaped front door; Duke chases; Duke was in middle of dashing off to a ball when exiting his house. (view spoiler) pages 340-341

I've one last quote I could include, but I've already indulged myself too much with quotes.

Oh good, another review where I don't really say much, babble a little, then slap a rating and date on it . . .

Rating: 5.00

November 11 2017



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Falling into Her by Erin Zak

Book received from both Netgalley and Bold Strokes Books for an honest review

Somewhere around 75 to 87% I was seriously considering ways I could sneak this book onto my six star shelf, despite that being reserved for reread books only (and only the best of the best rereads - there's a reason there's only 4 books on that shelf). Somewhere around there, though, an odd kind of conflict point came up and I no longer had to worry about sneaking this book where it didn't belong.

Don't get me wrong - I liked both the 'item of conflict/point of conflict' and how it was handled. It just . . . side-tracked me from the happy little bubble I was in that had me read 25% in one setting, then another 31% in another. Then I read the final 43% in a third sitting, but that 'magical bubble' was gone.

I loved everything about this book. The characters, the interactions, the descriptions of 'things' (city (Chicago), and rural Michigan), and holidays. If you were to look at my book, you'd probably find most of it highlighted for 'goodness'. For 'remember this passage here'. Oh, and yes, there is graphic sex. And I read it, and I enjoyed it.

Right, so, what should I say?

There were two point of views in this book, two lead characters. 40 year old Pam Phillips, and 32 year old Kathryn Hawthorne. Pam spent twenty-one years married to a man she never loved, and didn't really particularly like, but is still recovering from his relatively recent death from cancer when this book opens. She never has to work again, since her husband did very well as a lawyer, but she feels freed now to do so - and works in one of those beauty shops. As might be expected with this particular set of facts, Pam is straight (she could have been bisexual, but if so she probably wouldn't have married and stayed married to Harold, but that's another story).

Kathryn is something of a celebrity in Chicago. In the way anyone who appears on television can be - in a 'do I recognize her? I should recognize her, right?' way. For she's a movie critic on one of the local stations. Some time before the start of this book she had her heart broken and therefore has spent a lot of time, and I mean a lot of time, bouncing from one women to another for meaningless one-night-stands. Which is seen in this book from the opening when the book opens with her annoyed that a woman still hadn't left when the morning came. And seen in how her friends react to certain things. But - that player/player reputation never gets seen again in the book in any other way. Not, at least, after she stopped into a particular beauty store to try to find a gift for her mother's birthday - assuming she'd fail and get yelled at by her mother (her mother is that kind of person). Whereupon she meets Pam. And is smitten. It isn't seen in her point of view section, but apparently she left her phone number with Pam on . . . hmm, some kind of receipt. For later Pam finds it and, after much reluctance, calls the number.

Whereupon Pam and Kathryn begin slowly edging towards possibly becoming friends. While both feel some odd feelings of lust towards the other (well more odd for straight Pam to feel odd about the feelings). Kathryn's open to the idea of making a new friend, which is hard when you are an adult, but nothing more. Especially since Pam is straight. The woman who broke her heart was straight.

Everything about this book kind of blinks at me like something I wouldn't want anything to do with. It has more red flags bouncing around warning me away than an overly highly penalized football game (I'd no idea where to go with the red flag thing and the idea ran away from me). Age difference, an older woman who never thought she was anything but straight, somewhat annoying best friend, straight-lesbian romance, overbearing mother, etc. etc. Yet . . . other than that best friend, I loved every single second of this book. Loved it.

Completely unexpected reaction. I'm always slightly worried when I try a book by someone who a) I've never heard of before; b) never published anything before (as far as I know). Especially if the book is in a sub-niche market area. But I'm quite glad I found my way to trying this book and reading it. And enjoying it.

Rating: 5+

November 11 2017

Wednesday, November 8, 2017

Breaker's Passion by Julie Cannon

Breaker's PassionBreaker's Passion by Julie Cannon

My rating: 5 of 5 stars



- This book is more than I expected. I'm not sure why I keep going into Matinee Romances books expecting certain things that align more with things I dislike. But for one book I gave 1 star to, in this line, most books that bear the brand 'Matinee Romances' on their cover have been books I've given high ratings to. Weird, that. And what is 'Matinee Romances'? I really have no idea. I assume it is some kind of 'imprint' of Bold Strokes Books, but don't imprints get the 'glory' of being listed as the publisher? Sort of a 'Matinee Romances, a division of Bold Strokes Books'. But these books are all listed as published by Bold Strokes Books. Which has, over the years, had several unexplained odd things on their covers, like the 'Matinee Romances' wording, the V for 'Victory', a random stylized e, and other unexplained markings.

- This book has some rather nice imagery buried among the pages. Like when the two lead characters first meet (and yes, both have their own POV's expressed), when 'the Surfer' feels like she is being watched, and gazes towards the beach, while 'The Watcher' gazes out at the surfers, eyes returning again and again to one specific surfer. Neither knowing that they are gazing upon women. But feeling a strong desire to gaze in those two directions (well, one direction per person).

The Watcher moves closer and rests near, but not too close to the water, remaining dry. The Surfer moves closer, then erupts from the sea, and moves forward, as if lured, pulling the Watcher into a passionate kiss . . . one thing leads to another and the two are further back, somewhat hidden among the trees. Tops are removed, extreme desire to explore and lick breasts is displayed. The Watcher sinks to the sand, the Surfer kissing, until the watcher becomes the watched, when she notices three teenage boys standing nearby watching. She makes a noise, the surfer reacts, and seems to come out of a kind of trance and transforms into something other than 'the surfer', she pulls the watcher with her to her truck. Puts her stuff away, then departs . . . leaving the watcher behind. Though that makes things seem bad, yes, appearing to be leaving the watcher to the gaze of the three boys. Leaving out, I am, the part in between when the surfer aggressively gets the boys to leave.

This sounds like fanfiction. The Watcher, the Surfer. The book really isn't like that, I just got carried away. Though the watcher, Elizabeth, does think of the other as 'the surfer' until she can get a name to go along with the woman.

- I'm not sure what age I expected the two women to inhabit. Probably something close to their 20s, maybe late twenties. No real reason, 'professor' in the book description probably should have clued me in. I guess I got fixated on a somewhat vague beach-bum 'surf instructor' vibe. That or the fact the last book I read with this kind of set-up, through Matinee Romances, did involve 20 year-olds (thinking here of Sex and Skateboards, or whatever that book's title was). But no, the woman with the hidden past, the surf instructor, is either 37 or 38. While the professor on vacation, is the other (or, slightly less vaguely, one is 37, other is 38, I just forget which is which).

- Graphic sex? Oh my yes. Instant sex? Well, as the above notes, they do get to 'playing' without even learning the others name, or, for that matter, talking - on the other hand they also break off before things moved beyond 'second base'. Whereupon things kind of moved into a slow burn kind of mode (another unexpected development). But don't worry, a lot of arousing exciting time was had - some of it just in the way surfing is taught; some of it multiple orgasmic fun over 3 to 6 plus hours.

- The book was deeper than I expected.

- It is likely I would have made this a 5+ read (which doesn't really matter, it'd just show up as 5 stars on GoodReads), but for certain things here or there I'd liked to have seen (like longer ending). No words accurately convey what I mean.

November 8 2017



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All the Ways to Here (Future Leaders, #2) by Emily O’Beirne

All the Ways to Here (Future Leaders, #2)All the Ways to Here by Emily O’Beirne

My rating: 5 of 5 stars


Book received from Ylva Publishing for an honest review

I am in the unfortunate situation wherein I enjoyed the book I read but am unsure what to actually write about said book. Edited to add: Oh, and yes you need to read the first book in the series before reading this book here.

Well, as I noted somewhere, I think in my status updates, this book, like the prior book in the series, has two point of views – Finn and Willa. Unlike in the prior book – which had the book split roughly evenly in half with the first half of the book seen through one point of view, and the second half seen through the other, this book alternated. Though not every other chapter – occasionally the reader would go from one chapter seen through Finn’s (or Willa’s) eyes to another chapter through their eyes. Other than my initial issue of trying to remember which character was which, and which personalities went with each character – which wasn’t helped by seeing the characters in a new setting – I much prefer the alternating POV instead of the half-and-half approach.

In the first book, Future Leaders of Nowhere, various teenagers, roughly around the age of 15 to … some age over 15, 18? I am not sure if there was just one age level or multiple, I forget now, and if multiple what the cut-off age was. Right, sorry, a group of teenagers, roughly around the age of 15, from various schools in Australia ended up at a leadership camp called ‘Camp Nowhere’. At that camp two young women from different schools, but the same city, meet and fell into . . . deep liking (which may or may not have been love).

In the second book their story, Willa and Finn’s story, continues. But now they are back in Melbourne, back amongst their fella school students, back among their families and are only able to see each other at certain times.

The second book is much more about family, and friends, and individual people’s places in the world, and what they actually wish to prioritize (is the almost thankless task of being student/school captain (what would be called student president in the USA), really worth it for the bit it adds to their resume and college admissions? Should an absentee father be given more of your time? How about a mother who works so much that she never seems to be home? Or a sister who gets on your nerves, or a brother who rarely talks, or … etc.). While, at the same time, the relationship/romance between Finn and Willa continues. Now that they are 16 . . . or 17. I’ve lost track of how old they were in book one and two; and book two picks up immediately after book one so it’s not like their age could advance massively, though time seems to fly in book two, and birthdays do occur.

This was a quite enjoyable slice of life, romance, young adult novel. Those looking for sex should look elsewhere, except for heavy passionate kissing.

Wow, I’ve not really said anything, eh? Well, as I said, I enjoyed the book but do not have much to say about it. I didn’t hate the book, nor love the book so deeply that I wish to immediately move to Australia and become a 16 year old living under the fear of whatever VCE is. (That comes up a lot – almost as much as ‘semi’s’ came up on Glee. Okay, it came up like three times, much less than semi’s on Glee.)

(“The Victorian Certificate of Education or VCE is the credential awarded to secondary school students who successfully complete high school level studies (year 11 and 12 or equivalent) in the Australian state of Victoria.” – hmm, so not only is it an Australian thing, it’s a local state thing. Heh. Though judging from a quick glance and seeing a QCE (for Queensland Certificate of Education, this is probably something nationwide. Must complicate moving between states, though. Potentially. I suppose. I really have no idea how ‘stuff’ like that works, though I know the UK has something also that pops up in British young adult books; also know there’s something like it in New York specifically, since I hear people talk about it occasionally – the closest I had to anything like whatever this ‘thing’ is would be AP classes, which you take, then take a test, if you pass the test you get college credit – which I did; though I think some of these ‘things’ are more geared to ‘pass or you don’t get a high school diploma’ type of thing. I prefer it being geared to possible college credit instead of having one bad day and not being able to graduate high school due to fucking up some tests – see, I’ve no clue what this VCE thing is about, I don’t even know if there are, in fact, tests – heh, I just gazed blankly at a website for the VCE thing and I still don’t know what it is about. I think I might be dim. http://www.vcaa.vic.edu.au/Pages/vce/...).

Rating: 4.68

November 8 2017



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Monday, November 6, 2017

Time will Tell by M. Ullrich

Book received from both Netgalley and Bold Strokes Books for an honest review

My greatest problem with this book is one of preconceived notions, of presumptions about what the book would be about. I thought it would be a time travel book - and while it, ultimately, became one, I expected it to become one much sooner - like 10 to 15% into the story. Especially with that prologue.

But that isn't even the real issue - no, it's that this is a tragic love story, a tragedy. And I had expected a romance, or, baring that, a time travel story. And got a tragedy.

It's one thing to enter a story like 'Romeo & Juliet' knowing that it is a tragic love story. It's quite another entering thinking you are reading a romance.

I've grown up with science fiction - the first 'things' I read were science fiction stories. I've seen many variations over time - variations on just what time travel means, and what is or isn't possible. I've also grown up with the concept of multiple universes, multiple time lines. And the only way this story works, is by using multiple time lines/universes. It's inherent in the story structure. Hence my seeing this as a tragic love story. I'm not blind to the epilogue. Now insert here a long spoiler section that I can't actually include on my blog as I can't seem to make spoiler work correctly. Though it does work on GoodReads.

Remove the time travel aspect from the book description. Remove the time travel aspect from the book itself - and there would be a rather interesting book here. One filled with tragedy and abuse - and ultimately, one would hope in this altered book, redemption and happiness. Though, of course, it wouldn't have been 'perfect'.

The foregoing is why I had trouble enjoying the book as much as I might have otherwise. First off I was zooming along, awaiting the appearance of time travel plot - and not paying as much attention to the actual plot as I should have. Second off . . . well, all that stuff I wrote in that spoiler section above.

Rating: 3.33

November 6 2017

Friday, November 3, 2017

Under Contract by Jennifer L. Jordan

Under Contract (Lauren Vellequette Mystery, #2)Under Contract by Jennifer L. Jordan

My rating: 3 of 5 stars


I'm not exactly sure what happened between book one and two. The characters are similar to but not the same as the ones in the first book (as in Lauren and Sasha). And there's a weird dynamic going on here where Lauren is both kind of dislikeable in this book and very judgmental (wait, no, that goes with the dislikeable part, I mean to say, for the other half of that 'both', emotional).

And what was up with that romance tease? With the way it was injected in the book? The plot line seemed to be: 1) Lauren: I'm not dating I'm not dating I'm not dating; 2) Lauren: Rollie might be trying to set me up with this woman . . . .; 3) Lauren: we had drinks but I've no clue what happened that night; 4) [Insert here Lauren doing nothing to figure out if anything happened 'that night'; now insert here Lauren continuing with her life as if it doesn't matter if something did or didn't occur; 5) Lauren begins thinking that she might potentially date again eventually.

Hmm. But then Lauren was weirdly wacky personality wise. What with the deal up above about the romance sub-plot, there's also some weird personality split going on with her investigating abilities (as in, she's going down the list of potential suspects and kind of wonders if one of the people who hired her might be involved somehow; later, someone is forced to be her partner and brings up the idea that . . . the person who hired them might be involved and Lauren acts like that's both immensely stupid, and inconceivable).

Right. Enough of that.

Mystery: Unlike the prior book, Sasha just bounces around like a loon in this one doing odd shit but without a case of her own (as opposed to prior book when she bounced around like a loon but did have a case to investigate). With that out of the way: Lauren had two mysteries she was investigating (a third could have been 'did I or did I not sleep with that woman' though that's more of a question for the reader to play with . . . I guess). A builder has hired Lauren to investigate fire. As in, someone has been burning down the houses his company is in the process of building. The second case involves LoDo (I forget what that stands for, though it's a section of the city of Denver) - business has fallen considerably ever since one fight had broken out, and the police have responded with massive force and presence (seriously? One fight occurs and suddenly a section of Denver is now considered a war-zone, cops swarm the area, and business falls? One fight?) and Lauren has been hired to investigate the people who were involved in that mini-fight.

There was an interesting book here but it kind of fell apart somewhere along the way, neither mystery was that satisfying, and the main character has become an overly-emotional and quite unlikeable person with an odd habit of being a push-over (one example: Sasha redecorates Lauren's office without permission. Lauren hates it. makes a scene. Doesn't do anything to 'fix' the office, and stresses over whether or not the fish that Sasha put in her office die. And she doesn't even like fish. Sasha receives no comment/punishment/words about her lunatic actions. Lauren just accepts it).

Rating: 3.15

November 3 2017



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Thursday, November 2, 2017

Killed in Escrow by Jennifer L. Jordan

Killed in Escrow (Lauren Vellequette Mystery, #1)Killed in Escrow by Jennifer L. Jordan

My rating: 4 of 5 stars


Two reviews for the price of one, or something like that - first review on here is the one I originally wrote. Then, for reasons, I wrote a new review (no I didn't reread the book immediately after completing it, I just wrote a new review).

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Before a certain year, 90% of what I read fell into some category I'll call 'not-a-romance' book. Oh, there might be a romance sub-plot somewhere in there, but the book didn't focus on the romance, but on other things (like mystery, science fiction, fantasy, etc.). I'd read somewhere around 15 romances in the 20th century, and, roughly, a billion other books that weren't romances. Then somewhere around 2010, I started switching the percentages to the point wherein I now probably read about 90% romances.

I mention all of that above because my rating for this book may be impacted by my reading history. For it was quite satisfying to dive into a book in which something other than romance was the focus, and there wasn't even a romance sub-plot. And, to top things off nicely, the lead character is my own age (give or take a few months), and a lesbian.

So - as the author's note indicates, the author wrote this book in 2004 when the real estate was booming, though there were signs of stress for those in the know. But she didn't publish the book until a long time after the fact when someone pulled the manuscript out of the dust, dusted it off, and published it in 2014. To a certain extent that information is important because the real estate industry isn't the same now in 2017, nor in 2014, as it went all bust like, and the technology in use today isn't the same as in 2004 (one of the big things in the story is a victims PDA - and how the lead character didn't know what that was, but teenage assistant did and . . . are PDA's still even around? I think smart-phones have taken all the functions that you could get through PDA's (music, spreadsheets, notes, etc. etc.) plus more). So if you read the book, and I strongly recommend people reading the book, a reader would need to know they are reading something set and written in a particular era that isn't 'today'.

Lauren Vellequette has spent 20 plus years working in real estate - as an agent. She's 42 bored and dislikes how corrupt it is/has become in the real estate business, and has turned to a new career as a private investigator (while still working as a real estate agent - since that pays for stuff). She's working several cases, both real estate cases (as in, selling places), and private investigator cases. There's the hit-and-run victim who the cops haven't invested a lot of time in (since it's a low priority case), and the employee embezzlement case, and the hole-in-one case. All quite interesting to read, though the hit-and-run case is the front-and-center plot-line, the 'A' story.

But first I need to note: The story opens with Lauren in front of a class-room giving a speech about working in real estate. It's quite negative and strongly suggests people not work in real estate. This is important as it gives an idea of the character, but, even more importantly, adds a second character. One of the teenagers in that classroom turns up at Lauren's office offering to work for her, for free. And no, not for her real estate stuff, but for her private eye stuff (that came up briefly in Lauren's Q&A section). Lauren's deeply reluctant but let's the young woman, Sasha Fuller, work for her.

As the book unfolds we learn more about Lauren, Sasha, and the corrupt world of real estate. Oh, and about the various cases unfold as well. There's mystery, family dynamics (Sasha's biological family are assholes), the rotten nature of the foster situation (Sasha's foster family are religious assholes), bits of humor, and more. It was really fun to watch both Lauren and Sasha morph over the course of the book. And no, the 42 year old doesn't date the 17 year old - in case anyone was either a) worried, b) hoping for that. Neither character dates anyone over the course of the book (one, because of reasons, other because . . . of reasons). Though we do learn something about the various relationships Lauren has had in the past.

I'm going to dive into the sequel shortly. Won't be next work I read since I've already read a short story in between the end of this book and . . . this review here.

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The author note indicates that the author had originally written the book in 2004, stuffed it away somewhere, only to have it dusted off and published in 2014. That's important to note as both the real estate market and the level of technology seen in the book seems to reflect more 2004 than 2014.

Lauren Vellequette is a 42 year old real estate agent with 20 plus years in the business. But is tired of the business, both the corruption, and the boom/bust cycle. The death of her parents, and her own brush with a life-threatening illness pushes her to try something new with her life. So, as the book opens, Lauren is still a real estate agent (it pays the bills), but also a, relatively, newly licensed private investigator with a lot of hours of studying and training under a fella Lauren refers to, a lot, as 'that SOB'.

The book opens with Lauren giving a speech in front of a room full of students at a high school. She's basically quite negative of the business and suggests people not pursue a real estate career. Somewhere around the question and answer time, Lauren mentions that she's also a private investigator. Important because later that same day one of the students in that classroom turns up in Lauren's office. Pleading for the opportunity to work for Lauren, for free, specifically for the private investigation side of things. Very reluctantly Lauren takes on the 17 year old Sasha Fuller.

The book is a single point of view book that follows Lauren on several cases, several real estate gigs, and attempting to manage a teenager. That teenager in question has a case of her own to pursue, given to her by Lauren (after much pleading). The reader doesn't directly watch the 'hole-in-one' case, but does get kept up to date through Sasha's reporting to Lauren.

Lauren, meanwhile, has many cases. Two are larger than the others, while a third is a request from an old girlfriend that fell through before Lauren had to do anything. The first two cases involve: 1) the mother of a young woman wishes Lauren to investigate the fatal hit-and-run accident that left her daughter dead on a jogging path (only now does it hit me that I read this book at the same time that, just a few blocks away from me in real life, a man ran over several people on a bike path - both instances involved an automobile moving off the road and onto a pedestrian path) - the police 'did their job' but it's a low priority case and haven't gone out of their way to find the driver of the vehicle; 2) Rollie Austin, Lauren's 65 year old friend (or, as is mentioned in the book, a woman who has celebrated her 45 birthday 20 times), mentor, and real estate client, has Lauren work on a case for her, or more exactly, for her own private investigator firm - a businessman has noticed that various items have gone missing and suspects that one or more of his employees have been robbing him - Lauren's on the case.

I indicated three cases, so I'll note the third involves someone robbing open houses while real estate agents are distracted. An old girlfriend asked Lauren to look in on it, but as noted, that's case that solved itself.

In terms of girlfriends and the like - I can't say that no one in this book dates, since one of the cases involves girlfriends/boyfriends, but I can say that none of the important characters - as in Lauren, Sasha, and Rollie, are shown dating. Each other or anyone else. Over the course of the book, though, the reader learns both why Lauren is not currently dating anyone, and a little something about her various past relationships.

The mystery, and the various plot-lines, are quite enjoyable and satisfying. I rated the book a rather high mark of 4.45 stars, though I noted in the spoiler-ed review - I might be overrating the book due to sheer happiness to actually be reading a book that did not focus on or include romance. Which is something I've accidentally spent a lot of time reading recently - romance.

Rating: 4.45

November 2 2017



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